A Quote by Faizon Love
'The Replacements' is where I met Jon Favreau, and we just clicked like, you know, like kids at a camp. And he wrote my next movie, which was 'Made.'
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'The Replacements' is where I met Jon Favreau, and we just clicked like, you know, like kids at a camp.
I kind of wish people didn’t know who I am, that I could just lie, say I’m a speechwriter for Obama. This is what I said before Twilight. And then Obama came along and picked up all these young writers. I found out this guy, Jon Favreau — who’s not the actor Jon Favreau — is writing for him. And I was like, Wow, I wonder if the people who thought I was bullshitting at the time are like, ‘Oh my god. That guy! That kid who was drunk in some bar actually wrote the health care bill!’
"Smooth Sailing" and "Hall of Fame" are my top two nicknames. "Cool Guy." "Jolly Jon." "Fun Jon." There's a lot of derivatives of Jon. "Cool Jon." Some people took "Smooth Sailing" and "Fun Jon" and made "Smooth Jon." That's a good one. It's just starting to catch on with the general public. Just every now and then, "Hey! Smooth Jon!" Or "You're Smooth Jon, right?!" People aren't quite sure. I'm like, "Yeah." "Okay, cool, that's what I thought!"
With 'The Replacements,' it was insane. I'd never done a movie that opened up and made, like, seven million dollars. I'd never been part of, like, a four-day press junket for a movie that was international and domestic.
When I set out to make 'Bourne Identity,' my main goal for the franchise was to create something where it feels like you're in the action. You're not just passively watching it from far away. That's something that I have constantly aspired to do - even in 'Swingers,' to feel like you're Jon Favreau; you're not just watching him.
There was a shooting at a political camp, which sounds a little like, you know, the Hitler Youth or whatever. I mean, who does a camp for kids that's all about politics? Disturbing.
When we made 'Night of the Living Dead,' we got riddled. There was this famous article Roger Ebert wrote just blasting the film because he had gone to see it at some screening where there were all these kids in the audience. I don't know why that happened. We didn't make the movie for kids.
I'm not really too worried about the mystique of Jon Jones. Because I know Jon Jones' core. I remember when Jon Jones used to come up to me and say, 'Hey man, what's it like when everybody wants to take pictures with you?' So I know Jon Jones.
Summer camp was a place where I felt like myself that wasn't like school. There were no grades, we got to try lots of new things, and I started to play guitar at camp. It was a place for acceptance and learning to be a part of a community, but also learning to be yourself. I want that for all kids, but some kids don't have the opportunity to go to camp. I want to help.
Part of my job as a presidential speechwriter (along with great writers like Jon Favreau and David Axelrod) was finding that sliver where 'presidential' and 'actually funny' overlap.
Jon Favreau hates me.
It's a mistake to just go make a movie where the whole thing is talking down to the kids like, "Ok, we gotta bring the IQ of this movie down because it's a kids movie" You don't have to do that, kids can laugh and parents can laugh at different parts and that's fun, and you see that with all of the great kids movies.
I'd met Harrison Ford before, but he was just finishing a meet with Jon Favreau and the other producers on the film, and we said "hello" as he walked out and I walked in and sat down and had this meeting with those guys. They basically described what they were looking for, and they thought that I brought a certain amount of authenticity to the genre, and would I want to take part? And I said, "Absolutely! I'd love to!"
When we wrote that scene about the Sleepy Kittens where he's reading the storybook to the kids, it's like we've had to read these stupid books to our kids, and we all want to just tell our kids, "This is really bad. Don't you know that? Can't you see that?"
When I'm making a movie, I don't like to know what's going to happen next. I like to watch something and be surprised all the time, and just not know, and let it take me wherever.
The first time I met Jon Stewart was at the press conference that Comedy Central held to announce Jon would be the new host of 'The Daily Show,' which back then was not called 'The Daily Show with Jon Stewart.'
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