A Quote by Fala Chen

I worked so hard for so long, filming literally 20 hours a day nonstop for several months. It was so tough - it really broke me psychologically. — © Fala Chen
I worked so hard for so long, filming literally 20 hours a day nonstop for several months. It was so tough - it really broke me psychologically.
I've read something that Bill Gates said about six months ago. He said, ‘I worked really, really hard in my 20s.’ And I know what he means, because I worked really, really hard in my 20s too. Literally, you know, 7 days a week, a lot of hours every day. And it actually is a wonderful thing to do, because you can get a lot done. But you can't do it forever, and you don't want to do it forever, and you have to come up with ways of figuring out what the most important things are and working with other people even more.
As long as I can stay creative and used my mind, it can be 20 hours a day. I sleep four hours, so I've got 20 hours.
I used to work in kitchens, doing 12 or more hours a day of physical labor, so today, eight to 12 hours of cooking, chatting or filming feels like a vacation. When I have a scheduled 'day off,' I spend several hours writing, then I clean until I crash from fatigue. I don't relax well.
I worked 120 hours a week for eight years. That's 20 to 22 hours a day every day and one week I only got 15 hours sleep.
While in my late teens and in my 20s, I worked seven days a week, 20 hours a day. I worked my tail off.
I'm not sure filming a birth is as hard as actual labour, but it's a really long, arduous day!
I've been working in television for so long, since 2004, and I just worked nonstop throughout that time and I've learned so much. I've definitely done that 10,000 hours. I know the format really well and I feel comfortable in it. I'm excited about going into something I'm not so comfortable in, which is film.
The silver medal is incredible, because we worked so hard for so many years. Sacrificing, absolutely demolishing our bodies for hours a day, 11 months a year, years on end.
I worked with the same trainer that worked with Denzel Washington in THe Hurricane. It was three months of training, five days a week, 4 to 5 hours a day. This was followed by a month of choreography.
I worked with my acting coach one-on-one for hours and hours, every single day for two months, before even setting foot on set or putting on Jessica Jones's clothes.
I came to Los Angeles only after filming 'A Good Day to Die Hard,' when I was cast in the independent movie 'Delirium.' Director Lee Roy Kunz was looking everywhere for a Russian actress. He saw my photos, and only then he learned where I starred before! Eventually, I spent several months in the U.S., and we made the film quickly.
The act of exercising at 6 A.M. really helped me. It made me not dread the workout part of my day all day long. Also, when I went to have a tiny cheat, I would really think back to how hard I worked and thought, 'It is not worth going to boot camp an extra week over one peanut butter cup.'
Dancing is still, for me, one of those things that no matter when I do it and it sounds corny and cliche, but time stands still. I could literally dance for hours and hours on end and not realize that I've been dancing for hours and hours on end. In the right setting, I could literally dance all day and have a blast. It seems like one moment to me. There's nothing else going on, and it's the ultimate release.
When I started filming '2 Broke Girls,' I actually was broke, so I was eating all the junk food they kept on set. But then I developed a skin rash that lasted over six months. The doctors said that it was due to stress, my diet, and lack of exercise.
Back in the day, I used to be in the studio recording 20 hours a day. And that was all of the time. I still record a lot of hours, but I don't go as long as I used to.
I work three months really hard, nonstop, and then I take a month off. Then I do it all over again. I work hard but I give myself four breaks a year.
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