A Quote by Fala Chen

I don't think I'll ever be comfortable posing for a photographer; I was never trained. — © Fala Chen
I don't think I'll ever be comfortable posing for a photographer; I was never trained.
I've never not been sure that I was a photographer any more than you would not be sure you were yourself. I was a photographer, or wanting to be a photographer, or beginning - but some phase of photographer I've always been.
A photographer is a witness. He has a moral duty. Every picture must be true and honest. I believe a photographer's strength is his ability to accurately record reality. There are photographers who think they are lucky if they find unusual or special subject. But it is never the subject that is so marvelous. It is how alive and real the photographer can make it.
We all know of course, that we should never ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever fiddle around in any way with electrical equipment. NEVER.
I can work with shyness, but for the most part I want people to feel comfortable with me. It's really more about the photographer feeing comfortable right when they walk in that makes the subject feel comfortable.
Well, I'm not going to get into that. I think that those kind of distinctions and lists of titles like "street photographer" are so stupid. I'm a photographer, a still photographer. That's it.
I think it's stupid to say a guy who has trained in jiu-jitsu for as long as I have is just a stand-up fighter. I have trained with some of the best black belts in the world. I am comfortable on the ground. I can fight wherever the fight goes and not be concerned.
I don't feel comfortable doing movies. It's not what I trained to do. I trained to be a theater actress. You put me on a stage in front of 2,000 people, I know what to do.
I'm never really comfortable; I think it's kind of natural to feel uncomfortable, and I think if people say they are comfortable, they're just lying.
When I was young I trained a lot. I trained my mind, I trained my eyes, trained my thinking, how to help people. And it trained me how to deal with pressure.
... the possibility of one particular photographer's pictures lying around the corner is never realized until the photographer is there. It's one of the enigmas of photography.
All dancers are, by and large, a photographer's dream. They communicate with their bodies and they are trained to be completely responsive to a collaborative situation.
I became a photographer in order to be a war photographer, and a photographer involved in what I thought were critical social issues. From the very beginning this was my goal.
I think that the photographer must completely control his picture and bring to it all his personality, and in this area most photographs never transcend being just snapshots. When a great photographer does infuse the snapshot with his personality and vision, it can be transformed into something truly moving and beautiful.
Trained as a musician, [photographer Ansel] Adams understood the richness of variation that could be unfolded from a simple theme.
Rick Rubin had his hair - I don't think it's ever been cut and very - dresses like a hobo, usually - clean but . Was the kind of guy I really felt comfortable with, actually. I think I was more comfortable with him than I would have been with a producer with a suit on.
I went to dance class as a girl because I didn't like sports, but I never did a dance recital in my life. Never, ever, ever. I felt comfortable dancing, and I was happiest dancing, but I was never the best person in the class.
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