A Quote by Fallon Sherrock

It sounds really bad but I never actually wanted to play. — © Fallon Sherrock
It sounds really bad but I never actually wanted to play.
I've never really had a chance to play a bad guy, and that's something I've always really, really wanted to do. I wanted to experience that really dark side of a person.
More people need to understand the games secular liberals play. Here's one rule-of-thumb: No matter how bad a story sounds - particularly if it sounds bad - recognize the pattern of defamation.
I would never have wanted to play with Magic Johnson, I would never have wanted to play with Michael Jordan, I would never have wanted to play with Karl Malone or John Stockton in my prime. We wanted to play against the Shaqs, the Kobes.
I never really had the chance to play the kind of music I wanted to play. It was always just classical. It had its limits. I play piano now and again in the new forms of music that I actually want to play, but at the time, it was something that I just kind of moved past.
I knew I wanted to play 'Dr Cox' really bad, which is always a huge mistake because as soon as you want something really bad, maybe you rip up a little bit.
It sounds a little cliché, but I wanted to capture some of the feelings or sounds that I heard when I listened to music that actually took me places.
I often try to think about, What sounds like a bad idea, but if you find the right plan of attack, it's actually a really good idea? I spend a lot of time really trying to systematically tackle problems from different angles.
I was never on a mission to be an NFL quarterback. I wanted to be a good high school player, and I worked hard at that. That made me good enough to play in college and then I wanted to be a good college quarterback. During college I played well enough to make it into the NFL. I never took it for granted and really wanted to play hard at each level and I have always had a lot of fun doing what I wanted to do.
I've never owned a really bad car, but when I did my driving lessons I had something pretty bad. It was a Skoda, from back before Skodas were actually good, because I know they've got better recently but this was a proper old one. Roy's School of Motoring, it was called, and it was this cream Skoda with a long bonnet. He did 20 lessons for a really cheap fee because nobody wanted to be seen in this cream Skoda around Enfield!
I wanted to take my writing to another level. I wanted to write stuff that was personal for real. It's one thing to write a lyric that sounds nice in that line - that's not very tricky - but it's a different thing to write something that sounds nice and actually comes from someplace real.
I never really planned on any of this being a career; all I knew for sure was that I wanted to create, I wanted to play music, and I wanted to share music.
I ride really well and I shoot a gun really well. I love the genre. Once I did Westerns, I was hooked. I love them, but there's been very few of them made. I never wanted to play a guy who was acting like a cowboy. I wanted to play someone who had a real life, but was also trapped into situations.
When I was really little, I wanted to be a taxi driver or a bus driver; I loved the fact that I could play my own music when I wanted. But I can't imagine actually doing that now; I think I'd get bored.
When you make a melody that doesn't come with words from the get-go, sometimes you're just thinking about random vowel sounds that go with it - and it's really, really hard to write lyrics that actually obey the vowel sounds.
I never thought for one second I'd be able to play with a real band. When I was in high school, I went through a lot of bad treatment and was called a lot of names by boys because I wanted to play. Sly was different.
I called Scott Rudin, and I told him I wanted to do the play [Fences], so that's how the ball got rolling. I never said, "I'll do the play, and the next year I'll do the film, I just wanted to do the play."
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