A Quote by Famke Janssen

Every single time when you act in a film, and there's a different director, which of course as actors we're used to experiencing that's what we do, it's a different experience.
Every time you play a different role with different actors in different locations, you're developing a greater level of comfort in the act of doing this, which is why you're getting better all the time.
Every film you work on is different, and that's part of what it's like for anybody who works on a film, is to learn how to work with others. Learn from top to bottom. Actors have to learn how to work with the director and the director has to learn how to work with actors, and that's not just those two departments.
As a film director and as film actors, you get used to a certain rhythm that's slow. But with TV, it's hurry, hurry, hurry, hurry, hurry. It's a different pace.
As a film director and as film actors, you get used to a certain rhythm that's slow. But with TV, it's hurry, hurry, hurry, hurry, hurry. It's a different pace. So, it's about adjusting to the pace. It's not meant for everybody.
I look at actors like Johnny Depp, Sean Penn, and Benicio Del Toro, and they play all these different characters. I'm hoping that, in my lifetime, I'll be able to look back and say, 'You know what? I did all these different characters, and I enjoyed every single film I did.'
Everyone reads a different book. That's what's interesting. Everyone sees a different film, as well. We bring our past lives to whatever work of art we're experiencing at that moment, and that's what makes it interesting. It's not mathematics. There are different answers for different people.
It's like playing tennis, you play a different rally with different people. Every actor is different and the chemistry between actors is different.
I think actors are very obsessed about looking different and behaving differently, but all people need is just a different film. They don't want a different you; they want a different story.
It's not like I try to be different, but every single person is unique, and every single person has special things to offer, and it's about embracing it and not being afraid of the fact that maybe you're different or quirky, but it's okay to be different, and it can be a wonderful thing.
Every single character and every single person in real life can all be 16 or 17 years old and maybe live in the same town and go to the same school, but every single girl is experiencing and living a different life. I think that, on the outside, it may seem like there's a lot of similarities, but there's also a lot of differences as well.
If I'm experiencing a different thing every day and seeing a new environment every day, it can create a different mood or different feeling.
If you want to be a director, work with writers and find different ways of telling stories with film, then do a course. This way you can consolidate what you've learnt and use the course to go further.
Of course the female experience is different from those of our male peers - just like every woman's story is different from their fellow females.
Every film, every fight choreographer, wants to have a different flair, have a different fight technique. So any film I've done that involved weapons has always been fascinating because everyone is different.
I want to bring something different to every film. I get a bit tired of actors who kind of are the same character in every film that they do.
It may seem that I am doing films in different languages, which of course I am, but more importantly, I am performing different characters and every character has so much to teach. It makes me happy that I am associated with so many film industries.
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