A Quote by Famke Janssen

Jean Grey, the Phoenix... she finds a way to reincarnate herself constantly, so one never knows. — © Famke Janssen
Jean Grey, the Phoenix... she finds a way to reincarnate herself constantly, so one never knows.
Liberation means no rebirth. Now, does that mean you don't reincarnate? Well, you never did reincarnate.
That wouldn't be a first, now would it?" "Jean." "Jean Grey is dead, Agent." "Yeah, that'll last.
There are things that a woman sings, and only a woman knows the full meaning. You may sing for men as well as for women, but only a woman knows your full meaning. I am not a feminista. I only think a woman should be true to who she believes herself to be. Or who she wants herself to be. Or who she imagines herself to be. I don't know what I mean, or whether I'm true myself to any of that. I don't think there are many of us who are true to our possibilities.
From in the shadow she calls. And in the shadow she finds a way, finds a way. And in the shadow she crawls, clutching her faded photograph. My image under her thumb. Yes with a message for my heart. She’s been everybody else’s girl maybe one day she’ll be her own.
The adversary she found herself forced to fight was not worth matching or beating; it was not a superior ability which she would have found honour in challenging; it was ineptitude - a grey spread of cotton that seemed soft and shapeless, that could offer no resistance to anything or anybody, yet managed to be a barrier in her way. She stood, disarmed, before the riddle of what made this possible, she could find no answer.
If the man be really the weaker vessel, and the rule is necessarily in the wife's hands, how is it then to be? To tell the truth, I believe that the really loving, good wife never finds it out. She keeps the glamor of love and loyalty between herself and her husband, and so infuses herself into him that the weakness never becomes apparent either to her or to him or to most lookers-on.
The resolution of the Phoenix Saga was one of the most frustrating experiences that I think any of us ever had, but I also think it was the right move. The decision, three years later, to undo the Phoenix Saga with the resurrection of Jean was less so, but that's in my opinion.
Charity never lacks what is her own, all that she needs for her own security. Not alone does she have it, she abounds with it. She wants this abundance for herself that she may share it with all; and she reserves enough for herself so that she disappoints nobody. For charity is perfect only when full.
I always had a sense of where I was going with 'Dark Phoenix.' Jean had the greatest power imaginable... and, how's she going to deal with that?
The warrior woman is filled with the courage, confidence, and inner strength to leave the past behind. She knows that there is no way to express herself fully when she is still carrying burdens that need to be released.
Cassandra always hid when she read, though she never quite knew why. It was as if she couldn't shake the guilty suspicion that she was being lazy, that surrendering herself so completely to something so enjoyable must surely be wrong. But surrender she did. Let herself drop through the rabbit hole and into a tale of magic and mystery.
I've always thought - and I don't even know if I'd be right for the part - that Jean Seberg would make a great biopic. She was in Jean-Luc Godard's 'Breathless,' she played Joan of Arc. She had this eventful and traumatic adulthood, she thought the FBI was after her, and she became a darling of the French New Wave.
She emptied herself of Fabio and of herself, of all the useless efforts she had made to get where she was and find nothing there. With detached curiosity she observed the rebirth of her weaknesses, her obsessions. This time she would let them decide, since she hadn't been able to do anything anyway. Against certain parts of yourself you remain powerless, she said to herself, as she regressed pleasurably to the time when she was a girl.
...she's leaving now. ... Janis attacks the back door of the school gym and finds herself in a heavy cloud of smoke. She realizes she's found the Goths' hangout. Who knew? "Oof," someone says. She keeps walking, muttering, "sorry" to whomever it was she hit with the flying door. *** Cabel: ... That was the Goth stage where I decided I'd never get the girl of my dreams because of my scars. Not to mention the hairstyle. (pause) But then she slammed a door handle into my gut. And, when a girl does that to a boy, it means she likes him.
But Laila has decided that she will not be crippled by resentment. Mariam wouldn’t want it that way. ‘What’s the sense?’ she would say with a smile both innocent and wise. ‘What good is it, Laila jo?’ And so Laila has resigned herself to moving on. For her own sake, for Tariq’s, for her children’s. And for Mariam, who still visits Laila in her dreams, who is never more than a breath or two below her consciousness. Laila has moved on. Because in the end she knows that’s all she can do. That and hope.
If I could reincarnate as another player, I might want to reincarnate as Thierry Henry at the top of his game.
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