A Quote by Famke Janssen
When somebody walks into a room they give off a certain kind of vibe or whatever and at that point that's how you're going to cast them.
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When you cast somebody you cast them not only for... I look for an inherent kind of quality. You are going to be shooting 14 hour days and you are going to be tired. You are going to not necessarily be able to conjure armor or a façade every single moment.
On teams that have won championships and got to the big game, there's a certain vibe and feel in that locker room. Everyone talks about how there's a brotherhood in that locker room, there's not a lot of dissent, there's not guys that go off on their own. It's a team atmosphere.
Whenever Granny walks into a room, everyone stands up, stops, and just kind of watches her because, obviously, it's huge when she walks into a room. And I find that incredible. I kind of go, 'Ah.'
I remember coming into 'The Lion King' and, oh forgive me Lord, but doubting it. The way that musicals are put together, we're kind of exclusive of each other. And so somebody's working on this in one room, and somebody's working that in the other room. I did not understand how all this was going to come together.
I'm not the kind of person who walks in a room and is just like, 'Hi everybody!' I'm more somebody who is quiet and who isn't good at starting conversations.
I don't need to control the mind of my viewer. Now this might sound contradictory because I want to make these installations set up an environment that will produce a certain kind of experience in the viewer, but beyond a certain point, I take hands off and leave it up to chance and personal experience. So maybe it's a marriage of control and no control we're talking about where the artist produces the artifact or the environment and then walks away from it, and the second half of the equation is the viewer and their personal history and how they feel about what they're experiencing.
Having a female point of view in the room - when you get into a discussion about behavior - who would say what and how they would interact with one another. In certain situations, women are going to have a different opinion on that than men. It made for a really balanced conversation in the room.
You develop a third eye where you kind of know where they are in a room at all times but no matter how vigilant you are as a parent, at some point, you'll look around a room and can't find them and there's a searing pain that goes through your body.
A big part of making a good record is really getting a vibe, and a vibe is a mysterious thing. The vibe kind of exists in the air in the room. It's not just all the stuff you put on there, and the specific notes and arrangements and all that. That's like half of it. The other half is just the air, and just the spirit.
I just give off this kind of feminine vibe which has... served me so well with women in my life.
I didn't know where my career was going to go. Somehow, people sensed that I have certain talents and cast me in these bizarre, off-beat roles, which I have no regret about. I've enjoyed playing every one of them.
When I walk into a room in its grey state, I kind of understand what vibe the room should give out when it's done. Sometimes, it's about serenity, sometimes it's about love, it could be about a married couple or, could be about warmth and companionship with your family home, so it depends on the space.
You could be in a room with somebody you don't realize you're in a room with and that first impression or something that you give off might be appreciated by someone or it might not. I'm always just being mindful of you never know who's watching.
If you believe that there’s a heaven and hell and people could be going to hell—or not getting eternal life or whatever—and you think that, well, it’s not really worth telling them this because it would make it socially awkward. . . . How much do you have to hate somebody to not proselytize? How much do you have to hate somebody to believe that everlasting life is possible and not tell them that?
I've worn a lot of different roles for this team - off the bench, starting, closer, point, off the ball, whatever it may be. So, that's kind of how I view myself - the multi-purpose utility guy who helps keep the guys together, trying to make the sacrifice plays to help the team win.
Whatever subjectivity we are going to talk about is going to be in an intersubjectivity of human beings that have a certain nature and have certain needs to be met and have to figure out how exactly to do that.
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