A Quote by Famke Janssen

I know Dark Phoenix is a huge part of the X-Men saga, so I'm assuming they're at least going to want to touch on it, but I don't know and I don't know whether I would want to be involved. That depends on many different things.
I want to get involved in causes I believe in, and I know so many others that want to also get involved, but it's hard to know how. Often, it's through big organisations, and you don't know exactly where your money is going or what effect you are having.
We went on tour with Phoenix. I don't really know anything about Phoenix I'd heard a couple songs. And I thought, I don't really know if I want to go on this, it's kind of weird, kind of a pain in the ass for us. But everyone was like YOU HAVE TO DO IT, it's going to be so good for your career. And I mean I don't know if it was good for our career but the guys in the band were super huge sweethearts.
More and more, and especially over the last two decades, we've found out how many conspiracies there actually are. We really don't know the exact truth about a lot of things. We know there are big things going on involving huge companies and industries, whether it's money involved or oil or things in their own country, but there are personal interests at play and it's a very well woven network that's hard to break down. Sometimes it is hard, for us, to know who is telling the truth.
I want to be the friend you fall hopelessly in love with. The one you take into your arms and into your bed and into the private world you keep trapped in your head. I want to be that kind of friend. The one who will memorize the things you say as well as the shape of your lips when you say them. I want to know every curve, every freckle, every shiver of your body. I want to know where to touch you, I want to know how to touch you. I want to know convince you to design a smile just for me. Yes, I do want to be your friend. I want to be your best friend in the entire world.
I'm convinced we all are voyeurs. It's part of the detective thing. We want to know secrets and we want to know what goes on behind those windows. And not in a way that we would use to hurt anyone. There's an entertainment value to it, but at the same time we want to know: What do humans do? Do they do the same things as I do? It's a gaining of some sort of knowledge, I think.
I think I'm not in this work to not look at life as it is. I'm not in it to say, "I want to wear a mask and escape," you know. I want to know what's happening in the world, and I want to have it touch me in a way that I can do something, my little part like that, and have it somehow translate.
Everyone has an opinion. That's just a crazy part of this world now. You can type things on the internet. You can have no credentials in any area and just get on your smart phone and write whatever you want. I know where I come from and where I want to go. I know I'm 100% ready. Everyone else seems to have an opinion, and claim to know, whether I am or I'm not. I would love to see all the people who run their mouths try and do what I do. Because they can't.
The reporting is fake. Look, look...You know what it is? Here's the thing. The public isn't - you know, they read newspapers, they see television, they watch. They don't know if it's true or false because they're not involved.But I'm involved. So I know when you're telling the truth or when you're not. I just see many, many untruthful things.
I have to say, you know, I've seen so many people go through the cycle and become famous and not famous anymore and, you know, want - have their priorities change and want different things.
If I have not been completely honest with you, it is only because I know a great deal of things that you do not want to know. I am going to ask that you trust me when I tell you I am trying to make things better. It is an extremely delicate balance and there are a great many factors involved. The best we can do right now is take everything as it comes, and not to worry ourselves over things that have happened, or things that are to come.
We hear a lot about the notion of objectivity, and I'm not sure I know what that is. I know what fairness is. I know what honesty is. And I know what the heart and emotions are. I think those are the things I particularly want to embrace. I would not want anyone to take away my right and my ability to communicate my feelings about the things that I see.
That's one of the lucky things about getting the success later on. I know how I want to dress, I know what kind of house I want to live in, I just know more about myself, and that's true about the roles I want to play and what parts of myself I want to express. You're just more in touch with yourself.
I try not to think of myself in any category, and I don't ever really try to imagine myself competing with another actor. I just know I want to do the things that I would want to see, and I know the things that turn me on, whether it's on the stage, or it's a play or a film. I just kind of want to keep doing my own thing.
You always want to make sure that your work can touch as many people as possible. Whether it's young guys, young girls, you never know where it's going.
I've always had this in a kind of worst-case dark imagination. I want to know what the dark form in the window is. I want to know what the noise under the staircase is.
You would be surprised how many directors don't know what they want. They might not know what they want until they see it, they might know what they want but no idea how to get it out of the actor, then you've both got a problem.
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