A Quote by Famke Janssen

Once you achieve a certain level of success or fame, it becomes really difficult to go against type. — © Famke Janssen
Once you achieve a certain level of success or fame, it becomes really difficult to go against type.
In Caribbean there is no middle class: you're either rich or you're poor. And the ladder to success is not really a ladder, it's a chain; once you reach a certain level, you can't go back and you can only keep going forward.
The 'OK Plateau' is that place we all get to where we just stop getting better at something. Take typing, for example. You might type and type and type all day long, but once you reach a certain level, you just don't get appreciably faster. That's because it's become automatic. You've moved it to the back of your mind's filing cabinet.
After the success of 'Rumours,' we were in this zone with this certain scale of success. By that point, the success detaches from the music, and the success becomes about the success. The phenomenon becomes about the phenomenon.
What is success? I think the most important thing is to achieve what you set out to achieve. Just being a CEO in itself is not success. I would not relate success to a title or a position. My career has had a level of serendipity all along. I've never planned anything out more than a few years.
There is a level of fame that is really unmanageable. But most of the people who experience that level of fame are compensated in other ways. Private villas and chauffeured boats.
The domestication (the culture) of man does not go deep--where it does go deep it at once becomes degeneration (type: the Christian). The 'savage' (or, in moral terms, the evil man) is a return to nature--and in a certain sense his recovery, his cure from 'culture'.
The New York Times I think really is the gold standard of a certain type of journalism and in some ways it's the most important type of journalism, this chronicle of the biggest and most important stories of our time covered with a level of rigor and seriousness that is really unparalleled.
Most everything I do on a creative level is beyond the fame and money. I sort of work as an actor... and take care of my family and mouths to feed and all of that. I don't really care about fame, but our business means money sometimes and financial success, which I can pass on to my family.
Establishing and maintaining clarity for yourself and what you want is the starting point for success. Thus, maintaining extraordinary clarity is necessary to achieve extraordinary success. The problem is that most people maintain a mediocre level of clarity, which inevitably leads to a mediocre level of success.
When you reach a certain level of fame or success or income all these magical things are going to happen to you. All of the sudden you're very popular. You're very pretty. Everyone loves you and that's going to fix all your problems.
Once you achieve a level of success... you learn, something tells you, 'Man this ain't even for you.' You got to share with the people. You got to inspire the people.
I'm in the studio 24 hours a day. It's true that once you get a certain level of success, you become a target. Talk magazine should be ashamed of themselves.
It's a difficult world for lots of child actors, and it's difficult to be a teenager under any circumstances. Add to that notoriety and fame, and things can go really wrong. But I had a terrific family and grew up very normal in Phoenix.
I want that Sinatra type of fame. It's not the 'Whoever's the hot pop star at the moment' fame. It's the 'Walk into a room and everybody just kind of politely nods their heads' fame. Sinatra fame.
You get early inoculation against the idea of success if you're a poet. When I published my first collection of sonnets, I sold about five copies; now kids study them for A level. Wanting to be successful in that other world of money or fame is not interesting. Poetry isn't like that, and it never has been.
Once one has attained a high level of success at any pursuit and especially an unorthodox pursuit like rowing, one develops a number of generally self-congratulatory half-truths to explain how it happened that he ascended to that particular pinnacle. Often because original motivations don't seem to have much in common with the eventual success, the real and rationalized motivations are difficult to separate.
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