A Quote by Fannie Lou Hamer
We are here to work side-by-side with this "black" man in trying to bring liberation to all our people!
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Then she told me why a tiger is gold and black. It has two ways. The gold side leaps with its fierce heart. The black side stands still with cunning, hiding its gold between the trees, seeing and not being seen, waiting patiently for things to come. I did not learn to use my black side until after the bad man left me.
A human being has a lot of sides, like a kind of diversity, so it's like a good side, a bad side, a crazy side, a normal side, like a man-ish side, a woman-ish side.
Me don't dip on nobody's side. Me don't dip on the black man's side, not the white man's side. Me dip on God's side, the one who create me and cause me to come from black and white.
When you are on the bright side of life, do not forget the people who are on the dark side and remember that man can easily slip from one side to the other!
I definitely feel like, in America, even though race is a social construct... there's still a line drawn in the sand; there still are sides. Politically, there's a black side and a white side, and I stand unapologetically on the black side.
When I say the n-word, black people are clear that I'm on their side. And it's not disingenuous - I am on black people's side, clearly.
We [Paramore] are very different people at home, but the people that we are on-stage is just a side of us that our crowd and the audience that comes to our shows brings out of us. Different people bring different sides out of each other, and for sure our fans bring out the most hyper and ridiculous side of us because we get so psyched to see everyone when we're on stage.
As a black person on the outside, because there's so much black art and so much of black people's work circulating, so many people imitating what black people do, you would think that there'd be more black people on the business side. It didn't cross my mind that every label head, for the most part, is a white guy.
When I was younger, I was like, 'I'm working now, and you go work.' That was all I knew, because I was trying to keep my head above water. Now I'm more willing to say, 'Let's do our work side by side and cooperate.' That's really difficult to do in this sport sometimes because it can be so individualized.
It doesn't do any good to just be on the side of black people. The funnier comedic position is to be on the side of oppressed people in general.
I don't stand for the black man's side, I don' t stand for the white man's side. I stand for God's side.
It means we're on your side." That's what Bonnie said. I have people on my side? What side? Am I unwittingly the face of the hoped-for rebellion? Has the mockingjay on my pin become a symbol of resistance? If so, my side's not doing too well.
Any movement that has been successful in this country for Black liberation has included old and young, men and women, and people not of color that understand their superiority complex, that understand White supremacy, and that internalize that, sort that out, and heal from that in order that they might help, because there are some people of color that are not on our side.
What most people don't realize is that in snowboarding, there are two different aspects: the filming side and the competition side. The filming side is when snowboarders spend the entire winter season trying to document the best, most progressive and innovative riding of the year.
Some labor this side of the veil, others on the other side of the veil. If we tarry here we expect to labor in the cause of salvation and if we go hence we expect to continue our work until the coming of the Son of Man. The only difference is, while we are here we are subject to pain and sorrow, while they on the other side are free from affliction of every kind.
I've never been in the position where that conversation is a serious conversation before the movie even comes out. On one side of it, that's so great because you've got such great potential. The other side of that is that there's a level of pressure. Now, that clearly means that there's an expectation level, from the studio side, potentially from the audience's side, and from our side.
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