A Quote by Fanny Fern
Dear reader, true religion is not gloomy.
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Religion in its true sense is the most joyous thing the human soul can know, and when the real religion is realized, we will find it to be an agent of peace, of joy, and of happiness, and never an agent of gloomy, long-faced sadness.
Dear though the reader might be, I'd be silly to cater to what the reader wanted.
On staring out at a gloomy day: First you must realize that it is the day that is gloomy, not you. If you want to be gloomy, too, that's all right, but it's not mandatory.
What is a novel? I say: an invented story. At the same time a story which, though invented has the power to ring true. True to what? True to life as the reader knows life to be or, it may be, feels life to be. And I mean the adult, the grown-up reader. Such a reader has outgrown fairy tales, and we do not want the fantastic and the impossible. So I say to you that a novel must stand up to the adult tests of reality.
Why, the only reason for religion is that it can make you, keep you safe. If religion weren't true, then there would be no salvation, no comfort for being alive and alone, there would be nothing but living and dying - no, that cannot be so ... of course religion is true and will save me.
Simply put, meta-writing is writing that is self-conscious, self-reflective, and aware of itself as an artifice. The writer is aware she's writing, and she's aware there's a reader, which goes all the way back to Montaigne's often-used address "dear reader," or his brief introduction to Essais: "To the Reader." It can be done in a myriad of ways.
My religion? Well, my dear, I am a Millionaire. That is my religion.
It is past all question, and agreed on by all sides, that no religion will save a man who is not serious, sincere, and diligent in it. If thou be of the truest religion in the world, and are not true thyself to that religion, the religion is good, but it is none of thine.
Any religion which will sacrifice a certain set of human beings for the enjoyment or aggrandizement or advantage of another is no religion. It is a thing which may be allowed, but it is against true religion. Any religion which sacrifices women to the brutality of men is no religion.
It was a long and gloomy night that gathered on me, haunted by the ghosts of many hopes, of many dear remembrances, many errors, many unavailing sorrows and regrets.
Though it is very important for man as an individual that his religion should be true, that is not the case for society. Society has nothing to fear or hope from another life; what is most important for it is not that all citizens profess the true religion but that they should profess religion.
True religion is not about possessing the truth. No religion does that. It is rather an invitation into a journey that leads one toward the mystery of God. Idolatry is religion pretending that it has all the answers.
Each religion, so dear to those whose life it sanctifies, and fulfilling so necessary a function in the society that has adopted it, necessarily contradicts every other religion, and probably contradicts itself.
And so it is true in this sense that there is essentially but one religion, the religion of the living God. For to live in the conscious realisation of the fact that God lives in us, is indeed the life of our life, and that in ourselves we have no independent life, and hence no power, is the one great fact of all true religion, even as it is the one great fact of human life. Religion, therefore, at its purest, and life at its truest, are essentially and necessarily one and the same.
No author, without a trial, can conceive of the difficulty of writing a romance about a country where there is no shadow, no antiquity, no mystery, no picturesque and gloomy wrong, nor anything but a commonplace prosperity, in broad and simple daylight, as is happily the case with my dear native land.
Art is not a substitute religion: it is a religion (in the true sense of the word: 'binding back', 'binding' to the unknowable, transcending reason, transcendent being). But the church is no longer adequate as a means of affording experience of the transcendental, and of making religion real - and so art has been transformed from a means into the sole provider of religion: which means religion itself.
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