A Quote by Fantastic Negrito

I had this dream that you get this record deal, and you're a star, and everybody loves you - but I was a youngster, and it didn't work out that way. — © Fantastic Negrito
I had this dream that you get this record deal, and you're a star, and everybody loves you - but I was a youngster, and it didn't work out that way.
I had a dream, as young people have quite idealistic dreams and goals, of, 'I'm going to go to Los Angeles, and I'm going to become a star!' I did get this huge record deal, and I recorded this music under Xavier. That didn't really work out.
I was an artist, I was executive producer on my first album, so I've always had to manage both. I couldn't get a record deal. It wasn't by choice - I couldn't get a record deal, so I had to figure it out.
I had to get out of my record deal that I signed with my previous band and get a full solo record deal going so, with all of the paperwork that, that entails it did take a while.
What people generally tell you is, "We'll all agree," and then once you sign, they expect to get their own way. I think it was a bit of a surprise that I was still very headstrong even after signing. I wasn't so happy to get a deal that I would agree to anything. In fact, I disagreed on most things and got my way on most things, which I think was to all of our benefit. But they wanted the record to come out, and I wanted the record to come out, so we had to work together.
I used to draw stickmen with star glasses when I was at school. I didn't realise that would end up being me! The whole idea was that the glasses had mirrors, and if a youngster looked at me, they'd see themselves. Everybody is a star.
I went to New York. I had a dream. I wanted to be a big star, I didn’t know anybody, I wanted to dance, I wanted to sing, I wanted to do all those things, I wanted to make people happy, I wanted to be famous, I wanted everybody to love me. I wanted to be a star. I worked really hard, and my dream came true.
What I don't underestimate is everybody's deal is different and everybody's deal makes it difficult. And so it is incumbent upon employers to create flexible work environments that allow people to fulfill their professional and personal lives in a way that works for themselves.
Way before we got a record deal, we were playing clubs seven nights a week, three one-hour sets a night. Then we got the record deal, and we took off on the road and stayed out.
Before I ever had my record deal, I just had a publishing deal over at Sony ATV. I had that title, 'Flatliner,' and just the idea of a girl stopping everybody's heart - just kind of a fun idea.
I had knockback after knockback before I got anywhere. After I got my first record deal I thought that was it, then Gut Records went into liquidation. I was 20. I had no idea what that meant. I had a few days to get myself out of that contract or my work would be owned by someone else.
I have a great family that loves me, a record deal at 14, and I get to do what I love every day.
I thought I would be an overnight star when I had a hit record in Brazil with my first album - but things didn't work out quite like that.
I had a publishing deal way before I had a record deal.
When I had a record deal in the '90s, that was my dream - to make an album like Barbra Streisand's Broadway album - and they laughed me out of the room. Broadway wasn't cool. But artists like Michael Buble and Josh Groban have brought the classic genre back to the forefront, so I'm trying to find my way inside that market.
When I was a youngster, my dream was to play in the first team. I was constantly thinking, 'Will I make a career in football? Am I going to have to go out and get a job?'
My main thing is to chill with my kids. My daughter loves to work, as well-she loves to record and stuff-so I like to work with her.
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