A Quote by Fantastic Negrito

I knew I was an exhibitionist. I came from a huge family. I found an emotional connection being on stage. — © Fantastic Negrito
I knew I was an exhibitionist. I came from a huge family. I found an emotional connection being on stage.
When I was just a twenty-something, I came to Newark, and I found a connection to the city in a spiritual way. I found a connection here and people here that reminded me so much of my roots and my own family.
There isn't a performer on earth that isn't an exhibitionist. There isn't any point in being in this business if you're not an exhibitionist. And, by the way, you can be an exhibitionist and be very shy as well.
Science tells us more and more now that there is a strong connection between emotional well-being and health outcomes, and that you can proactively cultivate emotional well-being through relatively simple practices like sleep, social connection and meditation.
I'm kind of an emotional exhibitionist.
The first time I stepped on stage in the local theatre I knew what I needed to do - I knew I had found the right place to be.
I'm not sure I would make a direct connection between having press attention as a young person and being interested in the media as an older person. I came to it more organically, coming from a family of Irish Catholic storytellers. Storytelling is a pastime and important part of my family's history and culture.
I don't have anything against my mom, but my family has no emotional connection to each other.
I don't think that just because you go on stage you are an exhibitionist.
I got on stage and I went, "Oh wow. No stage fright." I couldn't do public speaking, and I couldn't play the piano in front of people, but I could act. I found that being on stage, I felt, "This is home." I felt an immediate right thing, and the exchange between the audience and the actors on stage was so fulfilling. I just went, "That is the conversation I want to have."
Coming to New York to go to school and being very far away from my own family, I definitely found myself piecing together my sort of chosen family here, and I have friends that I'm still very close with, that we all met at the same time and have become a huge part of each other's lives.
One of the things that Marjorie has done has given me the joy of family. It's a joy I never really knew. I spent a long time being lonely and hiding, and now, at Christmas, there's this huge family. That's something that's very new to me. And very special.
I started producing in 1992 at the age of 15, when I found out music could be made with the help of a computer. I come from a musical family, but was always the family member not as good as the others. So once I found out I could release the music that was stuck inside my head through a computer, I knew I found what I wanted to do for the rest of my life.
One time, I came off stage and a guy named Roman Decare, God rest his soul, he was a comic. 'Louie, if you do that family stuff, and you're a clean comic on stage, you'll become famous.' And, for some reason, a switch clicked, and I started doing the family stuff, and it became a giant part of my life.
Behind the lens, I found refuge and freedom, distance and connection, an intoxicating way to tame the huge, chaotic world.
I'd realized then just how strong our connection was, how perfectly we understood each other. I'd been skeptical about people being soul mates in the past, but at that moment, I knew it was true. And the emotional connection had come a physical one. Dimitri and I had finally given in to the attraction. We'd sworn we never would, but... well, our feelings were just too strong. Staying away from each other had turned out to be impossible. ~Rose, Pg.74
I guess the most emotional part is when I have that moment when I end up writing something that I really, really love. So not only is there the emotional connection with the music that's being created, but there's also the magic of the fact that you're essentially creating something from nothing.
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