A Quote by Fantastic Negrito

There's certain artists that are meant to have certain paths and go the way of the corporate world. And then there are artists who are artists. — © Fantastic Negrito
There's certain artists that are meant to have certain paths and go the way of the corporate world. And then there are artists who are artists.
There are so many artists these days that are trying to imitate other artists and go for a certain style; there's a lot of bullshit in the music industry. I don't want to deviate from anything else other than the music, cause that's why I listen to my favorite records - not because I like the way the artists dress.
There's certain artists who are loyal and certain ones don't really care and don't give you the opportunity to follow through with them again. I'm insulted by a lot of the artists I delivered hits to.
I think with certain artists you want to hear their album... and then there are other artists who I like where maybe it's more about the single. I don't think there is going to be one way that everything works.
People who are artists professionally are not artists because they want to be artists; they have to be artists. They're compelled to get that creativity out and to share that with others.
I've worked with jazz artists, country artists, classical artists, pop artists. I never wanted there to be categories, because when I was a kid there weren't.
I like the idea of the museum world and the university-academic situation where artists talk to each other or where artists or art students study with artists.
Revolt is designed to be a home for the next generation of musical artists, and we are investing in the artists and fans of the future. Revolt is for artists, by artists. This won't just be the P. Diddy network.
There are dance artists, painting artists and writing artists. Authors are writing artists. You can practice art in whatever medium you choose, and words are mine.
New artists will be discovered and trained. Moreover, when the artists who've gone abroad return home, they can share and pass on skills and knowledge to their peers here. I am certain their stints abroad will make them better artists and mentors. It will teach them discipline and independence. It will broaden their horizons.
I didn't have to be a pop singer with a certain look. When I started, there was really a revolution in natural artists with blues and folk artists crossing over; otherwise, I wouldn't have been able to get started.
When we talk about contemporary art and contemporary artists, we usually imagine artists who are alive. But I feel very uncomfortable about placing a border between living artists and dead artists.
All artists, they say, are a little mad. This madness is, to a certain extent, a self-created myth designed to keep the generality away from the phenomenally close-knit creative community. Yet, in the world of the artists, the consciously eccentric are always respectful and admiring if those who have the courage to be genuinely a little mad.
You witness the artists acting as witnesses, but they provide a point of view that's less monolithic. It's less official in a certain way. Many artists are speaking in the first person singular, as a reaction to dubbed-over media commentary. The thought is: "Enough with how we're represented by the media. Let me tell the story."
Artists look at the environment, and the best artists correctly diagnose the problem. I'm not saying artists can't be leaders, but that's not the job of art, to lead. Bob Marley, Nina Simone, Harry Belafonte - there are artists all through history who have become leaders, but that was already in them, nothing to do with their art.
I collaborate with Tidal because they're for the artists - the up and coming artists and the O.G.s in the game. It's like a home, the only place we have for the artists to find support.
The only artists I have ever known who are personally delightful are bad artists. Good artists exist simply in what they make, and consequently are perfectly uninteresting in what they are.
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