A Quote by Fantastic Negrito

'In the Pines' is a very old song dating back to slavery. Lead Belly made it popular. — © Fantastic Negrito
'In the Pines' is a very old song dating back to slavery. Lead Belly made it popular.
Me and Kurt Cobain were both listening to a bunch of Lead Belly and diggin' it. We thought, 'Let's do an EP of all Lead Belly songs.' We did a couple, and both of us were like, 'Nah, this is a bad concept.' We set it aside.
I think of the old slavery, and of the way The Economy has now improved upon it. The new slavery has improved upon the old by giving the new slaves the illusion that they are free. The Economy does not take people's freedom by force, which would be against its principles, for it is very humane. It buys their freedom, pays for it, and then persuades its money back again with shoddy goods and the promise of freedom. "Buy a car," it says, "and be free. Buy a boat and be free." Is this not the raw material of bad dreams? Or is it maybe the very nightmare itself?
Every year white people add 100 years to how long ago slavery was. I've heard educated white people say, 'slavery was 400 years ago.' No it very wasn't. It was 140 years ago...that's two 70-year-old ladies living and dying back to back. That's how recently you could buy a guy.
You can reasonably make the intellectual journey from thinking it's permissible to eat shrimp to thinking it's not permissible, or vice versa, whereas our slavery journey was uni-directional. We are as certain we are not going back to that old kind of slavery as we are that we aren't going back to the geocentric universe.
I think back to when I was in high school, to 17-year old Daria, who was dating guys and thought that that was the only way of life. I was very confused, and it was definitely manifesting itself in other parts of my life that were unhealthy.
The song that I will sing is an old song, so old that none knows who made it. It has been handed down through generations and was taught to me when I was but a little lad. It is now my own song. It belongs to me. This is a holy song (medicine-song), and great is its power. The song tells how, as I sing, I go through the air to a holy place where Yusun (The Supreme Being) will give me power to do wonderful things. I am surrounded by little clouds, and as I go through the air I change, becoming spirit only.
I think that from the very beginning it wasn't simply, what made Playboy so popular was not simply the naked ladies, what made the magazine so popular was, there was a point of view in the magazine, that you couldn't run nude pictures without some kind of rational that they were art.
I remember a song I did called 'If the Good Die Young' - I wanted to have a lead guitar solo on there, and the label flipped out! It was too rock and roll. They made us go back and put fiddle on the solo.
My mother drove back to the intersection. "Who are you dating?" "Don't ask," I said. I wasn't dating anyone. I was fornicating with Batman.
The Civil War was started over economic issues, not slavery. The War was not popular in the North until the issue of slavery was added at a later time to turn it into a moral crusade.
For pines are gossip pines the wide world through And full of runic tales to sigh or sing.
We still have slavery of all kinds - slavery of thought, slavery of ideas, slavery of cultureand I think 'Roots' exemplifies, in a very strong way, man's need to think for himself, feel for himself, do for himself.
I don't think of God as an old white man with no belly button, nor even an old black woman with no belly button. But I agree that God is something eternal. Something cannot come out of nothing. I believe God is Everything. And I believe in infinity.
There's no reason anybody should be reading too much into 'Thrift Shop.' I just have because I have a 10-year-old and a 7-year-old who are really into going to lyric websites, hitting print, and printing lyrics for every song that's popular.
I'd like to see something done about the long putters and belly putters. But I go back and forth on that. I've actually worked with a belly putter.
My voice is my instrument. ... It is not in the throat, from where it appears to come. It is in my feet and how they touch the floor, in my legs and how they lift and sink with the rhythm of the song. It is in my hips and belly and lower back.
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