A Quote by Farley Mowat

Don't make a big distinction between fiction and non-fiction. These are arbitrary distinctions. — © Farley Mowat
Don't make a big distinction between fiction and non-fiction. These are arbitrary distinctions.
If certain books are to be termed 'immigrant fiction,' what do we call the rest? Native fiction? Puritan fiction? This distinction doesn't agree with me.
I think, about the distinction between fiction and nonfiction. Fiction is not really about anything: it is what it is. But nonfiction - and you see this particularly with something like the BBC Samuel Johnson Prize for Non-Fiction - nonfiction we define in relation to what it's about. So, Stalingrad by Antony Beevor. It's "about" Stalingrad. Or, here's a book by Claire Tomalin: it's "about" Charles Dickens.
Fiction is truth. I think fiction is the truest thing there ever was. My whole effort is to remove that distinction. The writer is the midwife of understanding. It's very important for me to tell politics like a story, to make it real.
The difference between travel writing as fiction is the difference between recording what the eye sees and discovering what the imagination knows. Fiction is pure joy - how sad that I could not reinvent the trip as fiction.
I do read a lot, and I think in recent years the ratio between the amount of non-fiction and fiction has tipped quite considerably. I did read fiction as a teenager as well, mostly because I was forced to read fiction, of course, to go through high school.
The difference between fiction and reality? Fiction has to make sense.
I do think that theater is a great venue for science fiction, and not just adaptations but also original work. I also think some of the greatest classics of theater have elements of SF, but in theater, as in publishing, sometimes people make arbitrary distinctions.
There is an old saying: In history nothing is true but the names and dates. In fiction everything is true but the names and dates. The difference between reality and fiction? Fiction has to make sense.
In my mind, there isn't as much of a distinction between documentary and fiction as there is between a good movie and a bad one.
I used to write fiction, non-fiction, fiction, non-fiction and have a clear pattern because I'd need a break from one style when going into the next book.
We're completely confused about the boundaries between fiction and non-fiction. To me, the moment you compose, you're fictionalising; the moment you remember, you're dreaming. It's ludicrous that we have to pretend that non-fiction has to be real in some absolute sense.
In Bosnian, there's no distinction in literature between fiction and nonfiction; there's no word describing that.
Some people make sharp distinctions sort of between their recreational musings and their professional work. I don't make that distinction very much
Some people make sharp distinctions sort of between their recreational musings and their professional work. I don't make that distinction very much.
Writing fiction is not a profession that leaves one well-disposed toward reading fiction. One starts out loving books and stories, and then one becomes jaded and increasingly hard to please. I read less and less fiction these days, finding the buzz and the joy I used to get from fiction in ever stranger works of non-fiction, or poetry.
Unless your aim is to deceive, there's not a meaningful distinction between memoir and fiction. They're marketing categories.
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