A Quote by Farrah Abraham

There are a lot of layers to me. — © Farrah Abraham
There are a lot of layers to me.

Quote Topics

Everything in Louisiana is about layers. There are layers of race, layers of class, layers of survival, layers of death, and layers of rebirth. To live with these layers is to be a true Louisianian. This state has a depth that is simultaneously beyond words and yet as natural as breathing. How can a place be both other-worldly and completely pedestrian is beyond me; however, Louisiana manages to do it. Louisiana is spooky that way.
I buried everything under layers and layers and layers of code, but the signifiers of my emotionality were there, for me.
When you start peeling the onion and uncovering layers and layers of inequity that have been subsidized by government, it makes a lot of people uncomfortable.
I was an onion, layers and layers and layers under a thin, papery skin. If anyone had been able to cut me open, my bitter, irritating juices would have stung their eyes, and they would have cried. Although I couldn't cry myself, much at the time. But no one would cut me open.
I think that layers in music, whether it's layers juxtaposing emotions and feelings or layers of texture, make for a more interesting product.
Enya is a very matriarchal musical force. Her music is very feminine and she layers her voice a lot. It leaks into my music secretly on the side. There's a lot of lush layers of my voice hiding in the cracks.
I have to strip away all the layers when I'm writing the song. I have to cut through all these layers of years of putting up walls and putting protective layers around myself.
But the guilt goes even deeper than that. It, too, is dust: Layers and layers of it have accumulated. Because if it weren’t for me, Lena and Alex would never have been caught at all. I told on them. I was jealous. God forgive me, for I have sinned.
I think that I've always written about things that are very personal, but initially, I coded everything. I buried everything under layers and layers and layers of code, but the signifiers of my emotionality were there for me. I knew where the magnets were, behind the gyprock, and the magnets were very powerful. I think they had to be powerful for me, otherwise the reader wouldn't have a reciprocal experience.
I definitely have a lot of different layers inside of me.
I collect paint like I collect sound. And then I use layers, layers, layers.
It's taken me a lot of years to peel away my own layers.
As you get older, you have more and more layers of experience to forgive, more layers of heartbreak, more layers of what you might think of as failure.
There are a lot of layers in the film [Dream of Life]. And during editing we would try to tame all the layers, try to make things a little bit more understood. We would move scenes around. We'd try all these things.
I still look at that water, and I look at Moana's hair, and I'm just like, "How is this even happening?" It's such an incredible mix of technical mastery and wizardry. It's really incredible. It's layers and layers and layers. It's not unlike building a musical. It's really pretty cool.
Making a film is just layers and layers of work of edits and trial and error.
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