A Quote by Farrah Fawcett
It would almost be sinful to say that I regretted doing 'Charlie's Angels' because it did so much for my career.
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I always laugh because I used to think the week before anyone saw me on "Charlie's Angels," nobody cared what I ate, how I exercised, what clothes I wore. Nobody was interested and the minute I was on "Charlie's Angels" everything I said was interesting.
I hate remakes of TV shows - I didn't like the new Charlie's Angels at all - and I just don't see the point of going back and doing the same thing over again. Baywatch was fun and successful, probably because we didn't know what the heck we were doing.
Of course, I still saw Edward at school, because there wasn't anything Charlie [her dad] could do about that. And then, Edward spent almost every night in my room, too, but Charlie wasn't precisely aware of that. Edward's ability to climb easily and silently through my second-story window was almost as useful as his ability to read Charlie's mind.
Even if I don't see Brooklyn I have to see Anomolisa, because it's Charlie Kaufman. No one is doing things that they should't be doing more in cinema than Charlie Kaufman. This is how I look at it: he had an incredible story that was going to resonate regardless, but just shooting that movie is too easy for Charlie Kaufman.
To say that a man is sinful because he sins is to give an operational definition of sin. To say that he sins because he is sinful is to trace his behavior to a supposed inner trait. But whether or not a person engages in the kind of behavior called sinful depends upon circumstances which are not mentioned in either question. The sin assigned as an inner possession (the sin a person "knows") is to be found in a history of reinforcement.
There was a stage in my career, especially with standup, where I felt, because I didn't know why I was doing well, that anyone who would tell me anything; I was sort of like, 'What did they say? Yeah, I'll take that advice.' Now I'm a bit more careful who I choose to listen to.
[Charlie "Bird" Parker] would sit down and ask [Phil Wood], "What do you think about this whole secondary Viennese school with Schoenberg, Berg and Webern? Are you listening to that music and what do you feel about it?" These were the conversations that he was having. And he also said, what he learned from Charlie Parker was, not that he studied with him in the formal sense, is that the first thing that Charlie Parker would always ask was, "Did you eat today?".
Kmart's as much a part of my history as 'Charlie's Angels.' Twenty-five years! It's not just a celebrity brand.
I had a stormy graduate career, where every week we would have a shouting match. I kept doing deals where I would say, 'Okay, let me do neural nets for another six months, and I will prove to you they work.' At the end of the six months, I would say, 'Yeah, but I am almost there. Give me another six months.'
We do nods to Charlie's Angels and Mission Impossible because they are popular with our fan base.
When I did 'Bird,' it was a surprise to some people, first because I wasn't in it and second because most of the films I'd been doing were cop movies or westerns or adventure films, so to be doing one about Charlie Parker, who was a great influence on American music, was a great thrill for me.
I was up for parts in 'Charlie's Angels' and 'Three's Company,' but other people got them. At the time I was very disappointed because I knew the shows would be tremendous hits. But if I had done either I would not have done the following: 'Chorus Line,' 'Dancin',' 'Chicago,' 'Movie Movie,' 'All That Jazz' and 'Annie.'
But everything that I did starting out, every job that I had, I haven't regretted any of them. They've all been informative, interesting in one way or another. With a career, I think there's this idea that you're just trying to get somewhere. It's like, "Oh, okay, let's keep going, because if I do this, I can get this, I get this, this." It wasn't that way. I did what I wanted to do when it was in front of me, and I'm trying to continue to do that.
For Charlie and the Chocolate Factory, he came to me and said, "I want to do everything that's in the book, and as much more as you need, so that it all makes sense." I was like, "Okay!" And then, I would pitch back to him my love for Charlie Bucket's family and how lucky Charlie was, and that I felt so bad for Willy Wonka, shut up in his factory, all alone with these crazy Oompa Loompas.
Angels light the way. Angels do not begrudge anyone anything, angels do not tear down, angels do not compete, angels do not constrict their hearts, angels do not fear. That's why they sing and that's how they fly. We, of course, are only angels in disguise.
With the amount of flops that I have seen in my career, one would think that my career would have been over long back. But it has sustained. And I truly believe it did because I lived life on my own terms.
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