A Quote by Fat Joe

I started out in the Apollo Theater. That's where I got my start. I won Amateur Night four weeks in a row. — © Fat Joe
I started out in the Apollo Theater. That's where I got my start. I won Amateur Night four weeks in a row.
My mother sang jazz and opera - she even performed at the Apollo on Amateur Night.
We went out for six weeks a year. We first started in Mexico and we did that for so many years that we finally said we've got to explore and start going globally. And then we started going all over the world.
Time management is probably the biggest thing I've had to learn to deal with being on the PGA Tour, whether it be media or figuring out how many weeks to play in a row. That's been the biggest adjustment, coming from amateur and college golf.
Normally our season is seven weeks in the Drama Theatre and four weeks in the Opera Theater.
We've got to practice three weeks, get the kinks out, then we've got to practice three weeks with the crew, and then go out for four months. It's just a huge chunk of time out of life.
I start at the beginning, mentally screaming every obscenity I can in alphabetical order. Then I start setting them to the tune of "Row, Row, Row Your Boat
I went to college, I wrestled and I took some amateur fights. When I graduated, I wanted to start using my degree, but I figured I would start fighting professionally. Then I won 18 in a row and I fought Eddie Alvarez on pay-per-view.
If you're a good Amish girl, you're courting, you have three or four different beaus, and you go out and stay out all night. That's just their tradition. They date under the covering of night. No one knows who they're dating or seeing until two weeks before they're going to be married. It's how they've done it for 300 years.
All I could think of was we were about to start filming for the last final weeks of the TV show and here I am in the hospital, so I missed the final weeks, and a couple days later, sore stomach and all I got on the horse we started filming.
I learned the hard way. When I started hitting home runs, I thought, I can hit these pitches. Then I started thinking, if I can do this, I can hit the pitch four inches outside or four inches up. I expanded the zone and got myself out. Pitchers are smart. If they find out they don't have to throw strikes, they won't.
I had gotten pregnant with Apollo, and I didn't plan on that - it was just such a beautiful miracle. Four weeks later they called me and, like "Do you want to do The Voice?" It was this incredible opportunity to do something different.
In the theater, we used to have four weeks of glorious rehearsals.
I can do four shows in a row singing no problem. Four shows in a row stand up, my voice is destroyed. I'm a storyteller so I act out a lot of characters and I act out a lot of situations and I'm distorting my voice and imitating characters I run into. I'm actually more exhausted doing that than I am with the rock shows, believe it or not.
So Nemerov showed us this picture, which is of Apollo flaying Marcius. You don't think of Apollo as being the sort of person who would skin someone alive. But the story behind it was that there was this guy who was a really great musician, and all the women loved him, and people started saying he was the best musician in the world, so Apollo got jealous and he challenged this guy to a musical dual. They would each play a song and the muses would judge who was the better musician.
When I got out of the Army, I started writing the usual 'Catcher in the Rye' imitations, and then I wrote something that was done Off-Off Broadway in a theater. It was called 'What Else Is There?' and it was four or five people playing missiles in a silo waiting to take off.
I always have confidence, whether I miss four in a row or make four in a row, that the next one's going in. To a coach, sometimes that might not make sense.
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