A Quote by Fat Joe
To have so many years in the rap industry and so many number one songs, and sold so many millions of records, introduced the world to people like Cool & Dre, DJ Khaled, Pitbull, Rick Ross, Trick Daddy, Remy Ma, Big Pun, Rico Love... I could go on and on. Having been able to influence the rap game for so long is very important to me.
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When I introduce you to somebody, his name is Big Pun. When I introduce you to somebody, his name is DJ Khaled. When I introduce you to an artist, her name is Remy Ma. If I introduce you to somebody, it's Cool and Dre or Scott Storch - people who change the face of the game.
I never tried to emulate that New York rap style. What I do is a quasi rap. It's a honky rap, not a black rap. I find it puzzling that so many people have assumed I'm black.
Hip-hop is one of the most free art forms there is. There's so many sounds you can use, so many things you can bring in. You never know, man. I bet years ago people would've never said they would hear me with Rick Ross, and we did four classic songs together.
I been seeing other people work with Belaire like DJ Khaled, Rick Ross, and stuff like that. But other than that, I just wanted to work with them because they showed me mad love and were genuine when we were locking in the deal. For me, it had to make sense and be genuine, and this partnership definitely felt that way.
In future years a number of you will become spiritual teachers. After many years of study and doing a good job, go out into the world and teach people.You'll reach points of advancement where you'll be able to be of great help to many, many people.
Everybody raps. We rap to make money. We do business. Ain't no other record company out there that sold as many records as we did.
I've just really been into melody and lyrics and songwriting. Writing a rap, to me, is easy. I could write a rap like that. But writing songs and melodies and s**t that's hopefully going to stick around for 30, 40 years is f**king hard...If you have good songs and you're talented, people will eventually come to your shows, people will buy your music.
Good rap records don't get too far, but rap records that are made for crossing over to white audiences do go a long way.
As a matter of fact it wasn't until after BIG passed and stupid rumors went around that I had something to do with it, and it's like I'm not a killer man , I'm a musician, I'm a DJ we got like a different heart. Ya know back then when rappin' was fun, and we could immolate being gangstas; ya know Dr. Dre made the hardest gangsta rap records in the world, that didn't necessarily make him a gangsta. It was all like ya know : character, we were all in character.
Rap has so many possibilities that need to be explored. There are different factions of rap, but some are in a rut. Rap doesn't have to be about boosting egos and grabbing your crotch and dissing women. There's a way to make political and social issues interesting and entertaining to the young rap audience.
Oddly I've been DJ-ing for many years, actually, but not many people know about it because if you go and DJ in a club and you've got 2000 people in there, then obviously about 2000 people know that you're a DJ.
I have so many great friends, so many great memories, so many great pictures, so many great songs, so many great relationships with people. I definitely feel, for the last 15 years, that I spent my time very wisely. And that's a great thing to be able to look back at.
Having had been not so well traveled as a kid, as most teenagers aren't, I always thought, "Okay I'm going to focus my energy on rap and the rap game, because that's how I'm going to be able to pay rent and pay off my school loans." But seeing the reaction with this whole gay rap situation has made me not want to play into it at all anymore and just make whatever.
For you to be able to rap fast and fit many words into a bar, that's what rap is about, the showmanship. That's the thing we're kind of losing now. I'm not saying that the music now is horrible. I mean, I don't listen to it. The showmanship and creativity in rap is what made it special and what made it different.
I think at some point [Big Pun] really wanted to be a singer as well. He would call me at 3 or 4 in the morning and say "Yo Twin, sing something for me!". That's the type of love Big Pun had for me. He had this faith and belief and he expressed it many times. It was overwhelming for me. I think that he honestly believed I was going to make a difference in the game.
I'm shocked every time that I've reached so many finals or won against so many players or whatever record it is. It strikes me and makes me obviously very happy and very proud that I've been able to do it for so many years at the highest of levels.
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