A Quote by Fat Joe
I realized, at a certain point, all my big people were dying. I couldn't see a clearer picture: what's the difference between me and him, of me being in a casket?
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It's really sort of morbid, but she said her mother wanted to see me all her life. And when she died, she made just one request: that a picture of me be put into her casket. So somewhere in England, I'm in a casket.
The difference between a good picture and a mediocre picture is a question of millimeters - small, small differences - but it’s essential. I didn’t think there is such a big difference between photographers. Very little difference. But it is that little difference that counts, maybe
Consciousness is not the ineluctable starting point for self-understanding because there is a difference between being conscious and understanding oneself as a conscious being. The difference is between being in a certain state and knowing oneself to be in a certain state.
One time a guy handed me a picture. He said, 'Here's a picture of me when I was younger.' Every picture is of you when you were younger. 'Here's a picture of me when I'm older.' 'You son of bit, how'd you pull that off Let me see that camera. What's it look like'
As I sat down, though, I realized that you can get used to certain luxuries that you start to think they're necessities, but when you have to forgo them, you come to see that you don't need them after all. There was a big difference between needing things and wanting things--though a lot of people had trouble telling the two apart--and at the ranch, I could see, we have pretty much everything we'd need but precious little else.
People think I watch TV too much, but they are wrong. There is a huge difference between merely "watching" TV and learning to respond aggressively to it. The difference, for most people, is the difference between the living and dying of their own brains.
It is a great honor for me to be compared to Henri Cartier-BressonBut I believe there is a very big difference in the way we put ourselves inside the stories we photograph. He always strove for the decisive moment as being the most important. I always work for a group of pictures, to tell a story. If you ask which picture in a story I like most, it is impossible for me to tell you this. I don't work for an individual picture. If I must select one individual picture for a client, it is very difficult for me.
People know there is a difference between what you do and what you accept. There is a difference between me knowing that people swear, me hearing people swear and me swearing, and everyone accepting that this is something you can do as much as you like.
I was doing great plays. It wasn't changing the world. I was getting good agents and doing film and TV and I wasn't happier. I was like "Wow, there is an unease inside of me." And that led me back on my kind of more spiritual path to the Baha'i faith in a new and fresher way and I came to also understand at that point that there was no difference between being devout and being an artist. There is no difference between creativity and spirituality and philosophy and that is what Soul Pancake, the book, and SoulPancake.com are about is: it's all about human expression and it's about seeking to transcend.
Since we all know that death is inevitable, I don't really see the difference between dying now and dying a decade later. So if I'm threatened with assassination, I welcome it!
If I have one message to give to the secular American people, it's that the world is not divided into countries. The world is not divided between East and West. You are American, I am Iranian, we don't know each other, but we talk together and we understand each other perfectly. The difference between you and your government is much bigger than the difference between you and me. And the difference between me and my government is much bigger than the difference between me and you. And our governments are very much the same.
I think the biggest challenge was being aware of a certain audience that was going to see this film [lone survivor]. There's a big difference from a typical movie, journalists and critics and film goers that go see it find that, that's the general experience you have as a filmmaker. So that just kind of proves my point that there's a really different audience.
First, at a certain point, I wanted to have my own magazine, but I never could. Why? Because I am not commercial enough. The people who would have been able to give me my own magazine, they were not insulting me, but they would simply say, "It wouldn't work for you." And that was a big disappointment to me.
I don't see a big difference between painting and photography. Moreover, such distinctions mean nothing to me.
At one moment, I thought that if I didn't do a picture in a certain way, then it wasn't a 'Mario Testino Picture.' And I've realized that Mario Testino is everything, Mario Testino is whatever he feels like being, because it always ends up looking like me, whatever I do.
I tell my kids, what is the difference between a hero and a coward? What is the difference between being yellow and being brave? No difference. Only what you do. They both feel the same. They both fear dying and getting hurt. The man who is yellow refuses to face up to what he's got to face. The hero is more disciplined and he fights those feelings off and he does what he has to do. But they both feel the same, the hero and the coward. People who watch you judge you on what you do, not how you fee.
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