A Quote by Fat Joe
I stay around the young boys in the studio; I want to learn from them, and at the same time, I have a lot to offer them.
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There are a lot of good men out there who just need a little direction and leadership in order for them to offer what they have to young men and boys.
I can't really blame a lot of young sisters and brothers who believe that education has anything to offer them. Because as a matter of fact, it has nothing to offer them. Suppose they do get a high school diploma that is meaningful. What kind of job is awaiting them. The jobs that used to be available to working class people are not there as a result of the de-industrialization of this economy.
Hopefully, I can stay around a lot of young musicians and feed off of them.
Through developing trusting and respectful relationships with the boys in our lives, we can help boys to value and acknowledge their relational capabilities, which they may otherwise learn to discount or overlook. We can also offer and model for them definitions of maturity, masculinity, health and success that will enable them to remain grounded in their self-knowledge (e.g. as they encounter societal pressures to conform to group and cultural norms), and to form relationships that will sustain rather than constrain them.
I don't want them to move their plants. I want them to stay in Michigan. I want them to stay in all of the places where they are, or expanding to other places. But I want it to be in the United States. I don't want them to go to Mexico.
We like the ambiance and atmosphere, and we felt really early that... I mean, of course, Air is an electronic band, but we are doing so many real recordings and the studio is so important for the sound. The acoustics create atmosphere and emotion. Also we want to be independent, we don't want to be obliged to go into a commercial studio and only stay one week because it's really expensive. We want to be able to give a chance to a song, and to spend a lot of time in the studio.
I'm just doing my best to have a tremendous impact on their growth, raising them from boys to young men. We have an open line of communication, from my oldest to my youngest. Everything impacts them differently. There's nothing I want them to be afraid to ask.
I always tell people, "There's a book on everyone." I get some of that book before I do anything. If I want to deeply understand someone's reputation, I'll talk to their friends, their former bosses, their peers, and I'll learn a lot about them. I want them to be trusted. I want them to be respected. I want them to give a s - -. Then there are the intangibles: physical and emotional stamina, the ability to confront issues. I can ask all I want about those things, but I also have to see a lot of it.
When looking for a life partner, my advice to women is date all of them: the bad boys, the cool boys, the commitment-phobic boys, the crazy boys. But do not marry them. The things that make the bad boys sexy do not make them good husbands.
Great stories happen all around you every day. At the time they’re happening, you don’t think of them as stories. You probably don’t think about them at all. You experience them. You enjoy them. You learn from them. You’re inspired by them. They only become stories if someone is wise enough to share them. That’s when a story is born.
Wintertime for me is a time when I do a lot of my writing in the studio. It's a time I enjoy. And it's very reflective and a very calming time of the year. Throughout the year I gather a lot of musical inspirations, and this is where I bring them to the studio and see what will evolve musically.
I was the youngest of about nine boys in the neighborhood, and we played ball all the time, and I looked up to them, and they let me play around with them, and we just had a good time.
If you had a friend going through a lot, you wouldn't give them a hard time for going through it. You'd be like, it's ok you're going through it. So offer yourself the same grace and dignity that you'd offer to others.
Now I'm the father of three young boys, I find myself using GoPro to film them more than anything - trips to the amusement park, the beach, the pool - just chasing them around as they grow.
When I became director of the Metropolitan Museum of Art, it was stodgy, gray, run by elitists. I said, 'Hey, let's kick the thing around.' I wanted to attract young people to the museum. I said, 'Make it hospitable. I want them to come. I want them to make dates, pick up girls, pick up boys - either way; I don't care.'
I don't have kids, but I know that you want them to follow their dreams, while at the same time, you don't want them to be sitting around, hoping that dream is just going to come. I'm sure that's hard to tell your kids.
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