A Quote by Fatema Mernissi

Being frozen into the passive position of an object whose very existence depends on the eye of its beholder turn the educated modern Western women into a harem slave. — © Fatema Mernissi
Being frozen into the passive position of an object whose very existence depends on the eye of its beholder turn the educated modern Western women into a harem slave.
To make oneself an object, to make oneself passive, is a very different thing from being a passive object.
Most of [ the Negro leaders] who - who, whose existence or whose position of leadership depends upon the - on the subsidy or crumbs for - the crumbs from the white man's table, will only say what that white man wants to hear. When they get behind the door they talk a different language.
Beauty is in the eye of the beholder and it may be necessary from time to time to give a stupid or misinformed beholder a black eye.
Beauty is in the eye of the beholder. Should the beholder have poor eyesight, he can ask the nearest person which girls look good. Beauty is in the hand of the beer holder. Beauty is in the heart of the beholder.
The experience of beauty is in the eye of the beholder, as they say. The artist's relation to the object of beauty, how the art makes that happen, is a whole other subject. Beauty is an event. Beauty is something that happens. There is no such thing as a beautiful object or a beautiful woman.
You know, that's what I've regretted the most, that joy. Of course, later there were times when I felt happy, but happiness is to joy what an electric light bulb is to the sun. Happiness always has an object, you're happy because of something, it's a condition whose existence depends on external things. Joy, on the other hand, has no object. It seizes you for no apparent reason; it's like the sun- its burning is fueled by its own heart.
I guess it all depends on whom you ask and when you ask. Race, I've learned, is in the eye of the beholder.
Object in/ and space - the first impulse may be to give the object - a position - to place the object. (The object had a position to begin with.) Next - to change the position of the object. - Rauschenberg's early sculptures - A board with some rocks on it. The rocks can be anywhere on the board. - Cage's Japanese rock garden - The rocks can be anywhere (within the garden).
Every smallest step of modern industry depends upon a cooperation whose maintenance and regulation is the very stuff of law.
Flea-Market vendors are frozen mid-haggle. Middle-aged women are frozen in the middle of their lives. The gavels of frozen judges are frozen between guilt and innocence. On the ground are the crystals of the frozen first breaths of babies, and those of the last gasps of the dying.
Women in Africa, generally a lot needs to be done for women. Women are not being educated, not only in Angola but my trip to Nigeria, one point I would make over and over again was that women need to be educated too.
Clay is molded to form a cup, But it is on its non-being that the utility of the cup depends. Doors and windows are cut out to make a room, But it is on its non-being that the utility of the room depends. Therefore turn being into advantage, and turn non-being into utility.
By putting the spotlight on the female child and framing her as the ideal of beauty, he condemns the mature woman to invisibility. In fact, the modern Western man enforces Immanuel Kant's nineteenth-century theories: To be beautiful, women have to appear childish and brainless. When a woman looks mature and self-assertive, or allows her hips to expand, she is condemned ugly. Thus, the walls of the European harem separate youthful beauty from ugly maturity.
I think of young Chinese women today as being incredibly modern and are taking a lot from Western style and tailoring.
Adventure, like beauty, is very much in the eye of the beholder.
Marriage ... is still the imperfect institution it must remain while women continue to be ill-educated, passive, and subservient.
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