A Quote by Fawad Khan

I am the kind of person who likes taking one step at a time and raising the bar with each film. — © Fawad Khan
I am the kind of person who likes taking one step at a time and raising the bar with each film.
Who we are? Us!Right? What kind of people are we? What kind of person are you? Isn't that the most important thing of all? Isn't that the kind of question we shloud be asking ourselves all the time? 'What kind of person am I?
I know exactly what that movie's [Brokeback mountain] about. I can't define it; it doesn't tie up in a perfect bow. But it's about adolescence. It's about what it feels like - this isn't meant as a criticism, but like things I didn't relate to, which were high school movies. Where I'd watch it and I'd be like, "Well, am I like the kid that nobody likes? Or am I like the person who everybody [likes]?" I couldn't [tell]. I was like quantifying, putting me in a box. "This is my personality at that age" and "I'm this kind of person" just felt like bullshit to me.
I think that, back in the day, there used to be a lot of horror films that kind of had a checklist of what went into making the 'perfect horror film', and I think now people are raising the bar in the industry, as far as the types of horror films that are being made.
It takes time to gain the audience's trust. I am taking one baby step at a time.
You learn a lot about America when you own a pit bull. You learn not just who likes your dog; you learn what kind of person likes your dog - and what kind of person fears him.
I am a better running back every time I step on the field. I try to get better each game, each summer, each season.
I should say that feminism gave me permission to deal with my own emotional life and put it up front in certain ways, or use film as a way to examine, at that time, my own heterosexual experience. Lives of Performers was the beginning of that kind of investigation. But also, the film was influenced by the aesthetics and structures of experimental film as that was taking place at the same time. Hollis Frampton was a big influence on me at that time.
I'm honestly not the kind of person who wants to step up to a podium, test the microphone and be like, 'Hey, I'm homosexual and this is who I am, hear me roar.' That's not who I am.
If you say you're going to do something, you do it. If you start it, you finish it. Yes sir, no ma'am. And you've got to have that kind of structure in your life. It kind of helped me be that disciplined person that I am, whether it's with workouts, film or just the game of football.
I am really a loner after all; I am really not a social person. Because of my job, people think I am out every night, but I really hate all that. I am somebody who likes to be alone and see some close friends. I am a shy and introspective person.
I have long been aware that when an independent intellectual stands up to an autocratic state, step one toward freedom is often a step into prison. Now I am taking that step; and true freedom is that much nearer.
When you go into a bar, there are hundreds and hundreds of cameras in that bar - many of them installed by that bar. They might be checking something or taking a picture of you.
People go to college to find who they are as a person and find what they want to do in life, and I kind of already know that so it would be like I'd be taking a step back or something.
Each new film is like a trial. Before I step in front of the camera, I do not know whether I am going to fall or whether I am going to fly - and that is exactly the way I want it to stay.
I am pretty good about taking breaks. I know when it's time to step aside and chill out.
Making a film is like raising a child. You have to be there every step of the way, guide it, provide for it, and finally let it go into the real world and hope you have done a good job. If you don't absolutely love your film then you will loss interest in it and the movie will suffer.
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