A Quote by Fawad Khan

I always consider myself as good as my last film. I tend to analyse my work very critically. — © Fawad Khan
I always consider myself as good as my last film. I tend to analyse my work very critically.
In a weird way, I never wanted - I don't consider myself a very good writer. I consider myself okay; I don't consider myself great. There's Woody Allen and Aaron Sorkin. There's Quentin Tarantino. I'm not ever gonna be on that level. But I do consider myself a good filmmaker.
Most coaches' attention to detail is very good; it's their job. They have to analyse teams, and they have to analyse their own team.
I've always felt very convicted that I didn't want to work in kind of the Christian film-making ghetto. My calling was always to show myself approved and worthy to work at the highest level possible in terms of craft and working with very gifted people and trying to be excellent in everything.
My last experience of film-making was Tickets, a three-episode film in Italy, the third of which is directed by myself. It's not for me to judge whether it's a good film or a bad film, but what I could say is that nobody had a cultural or linguistic issue with what was produced.
I tend not to analyse my work, though I'm frequently intrigued when other people take time to do so.
I don't like talking about myself; I'm not good at analysing myself. I don't want to analyse myself.
I always find myself very distrustful of intense crowd phenomena, and I think those are things that we should always try to question, especially critically.
I consider myself a writer. I always wanted to act, and as a teen, I studied acting devotedly. Eventually, I got writing work, but very little acting work.
Magicians are typically introverted; they don't tend to work with others, but I work with software programmers, composers, designers, so it's a very diverse group and the result is always more interesting than something I could have done by myself.
I do enjoy filming, but I do consider myself still to be a bit of a novice, and I learn a bit every time I do a film job, and I am very admiring of film actors.
The reason I live in America is because I mean literally every six or seven years I've done something in England. The last lead I had in an English film I did was 1998. So that's why I live here. It's because I get more work. I'll travel back for radio, you know what I mean. I've just got to consider myself to be living in the middle of the ocean, and that way I have a really nice career, if I'm prepared to do television, radio, theater, and film.
My only problem is that I'm too sensitive about my movies. I feel each of them has to work and consider every film as my last one.
Every film for every actor is a make-or-break film. I believe every film has the power to break you or make you. So, an actor will treat every film like his last film. That's the way we need to work, and that's the way you can drum up that passion needed to do good work.
I love theatre - it's where I started - and I've directed a play myself. I'm not sure if I want to direct a film, but certainly, as an actress, I'm always thinking, 'Surely this must be my last film.'
I consider myself a really good racquetball player. I'm sure that I would get waxed by some actually good racquetball players, but I consider myself a pretty versatile athlete.
It's funny, I don't even consider myself a rapper, I don't consider myself a designer, or even an actor. I just like creating stuff and trying to make good work, whatever it is. I don't care if it's designing toothbrushes. It's just making cool stuff to leave behind, that's all it is, it's nothing more.
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