A Quote by Fawad Khan

Almost every story has a romantic angle to it. — © Fawad Khan
Almost every story has a romantic angle to it.
If you lead a simple life, and that story is written, then that story will not satisfy. It needs an angle. Suppose there is no angle?
Every angle acknowledges that it is a likeness of true angularity, for [each angle] is angle not insofar as angle exists in itself but insofar as angle exists in something else, viz., in a surface. And so, true angularity is present in creatable and depictable angles as in a likeness of itself.
I have yet to meet very many people in the press who are really, truly interested in writing a good story or getting at the truth. Most press people, when they come into an article, have an angle that they want already, so they need points to support that angle, whatever the angle may be.
I almost obsessively began reading about what was happening with the so-called Islamic State. But I couldn't find an angle on the story.
You always need to make sure that you're looking at every angle and every perspective so that people, when they read the story, know what's happening. You have to write for everyone.
I find 'Fatal Attraction' really romantic. I really like the seduction. Almost every time I see it, I'm surprised when it goes dark. I know that's the claim to fame, but I key into how genuinely romantic it is.
It's the angle that shows how we see differently. I have always believed that all documentaries are fictional. It's really the angle of the camera, the owner of the perception, that makes the story what it is. The video camera is a fiction.
The whole schizophrenia angle interested me. When I first started working on it, I thought I would play up that angle more than I ended up doing. The religious aspect of the story was also a draw.
Every creative story is different. And yet every creative story is the same: There was nothing, now there is something. It's almost like magic.
Every creative story is different. And every creative story is the same. There was nothing. Now there is something. It's almost like magic.
I will never create a romantic angle to survive on a game show.
Big media are all about the angle, the spin. Look to the overarching theme that runs through each and every news story. Be hip to the meta-narrative peddled.
I was a very romantic, overly dramatic young lady, which served me well as a songwriter. Especially as someone who had to focus on lyrics and melody, because if you're a dramatic and romantic person, lyrics come easy, and you turn every single short-term relationship into the biggest 'Romeo-and-Juliet' story ever.
I can find almost anything funny, thank God, so you search for the black, lacy slip that encases the corpse. You know, shift the angle. God may take away, but he often leaves you with a terrific opening line for the next adventure. I would suggest taking it. Move on; change the angle; look at it in a different way tomorrow.
Animation story boarding works differently than live action story boarding. The story crew along with a writer really does shape and create the film - the world and it's characters. We meet almost every day and brainstorm the plot of the film. It's a highly collaborative process - and we continue to improve the story until we literally run out of time.
We see, from almost every conceivable angle throughout the Scripture, that there is no doctrine more clearly taught than that it is God's will to heal all who have need of healing, and that they may fulfill the number of their days according to His promise.
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