A Quote by Fawad Khan

I've grown up watching cinema from around the world, and there are films that have scenes that are far steamier than what we are required to do on screen. — © Fawad Khan
I've grown up watching cinema from around the world, and there are films that have scenes that are far steamier than what we are required to do on screen.
I've not really watched too many English films. I've grown up watching Indian cinema, mostly.
Cinema might have it's share of ups and downs, it can't go. It is a very major part of everybody's life. It is a process like going to cinema halls, watching films on the big screen.
I grew up on the commercial film format. I have grown up all my life watching films and they have all been mainstream commercial cinema.
I have grown up watching Bollywood films, watching Shah Rukh Khan's films. I am happy that I worked with him.
I can't tell at what age I developed this love towards movies, but I've always enjoyed watching films. I've grown up watching the films of my uncles Chiranjeevi and Pawan Kalyan.
Some theatres back home used to screen arthouse films by Adoor and Shyam Benegal, and week-long festivals of films from France, Germany and the U.S.S.R. That was when I realised there was a world where people did not run around trees singing duets. That it was possible to make a different kind of cinema.
American films are the best films. This is a fact. Cinema is - along with Jazz - the great American art form. And cinema in a very real sense created the American identity that has been exported around the world.
I am a product of Indian cinema; I've grown up watching Indian films ever since I can remember. And song and dance is part of our lives; it's part of our culture; we wake up to songs, we sleep to lullabies, you know, we celebrate every religious and traditional function with music.
I am a product of Indian cinema; I've grown up watching Indian films ever since I can remember. And song and dance is part of our lives, it's part of our culture we wake up to songs, we sleep to lullabies, you know, we celebrate every religious and traditional function with music.
As far as the theatrical experience is concerned, I will be highly disappointed if that goes away. I have grown up watching films in theatres so that community experience should never go.
For British cinema to survive, you really need a British film culture, and it's got to start down there, with young kids watching films in the cinema - so they can be transported to a different world.
I think what I loved in cinema - and what I mean by cinema is not just films, but proper, classical cinema - are the extraordinary moments that can occur on screen. At the same time, I do feel that cinema and theater feed each other. I feel like you can do close-up on stage and you can do something very bold and highly characterized - and, dare I say, theatrical - on camera. I think the cameras and the viewpoints shift depending on the intensity and integrity of your intention and focus on that.
I remember watching 'The Lunchbox' that released around the same time 'Ship Of Theseus'. Both films found space in the independent cinema circuit. But at a personal level, 'The Lunchbox' is one of the favourite films.
Actually, I can't stand watching violent scenes in films; I avoid watching horror films. I don't tend to watch action films mainly because I find them boring, but I watch the films of David Cronenberg and Martin Scorsese, usually in a state close to having a heart attack. I'm a complete coward. I make violent films as a result of my sensitivity to violence - in other words, my fear of violence.
And one of the things that's interesting about how they're doing the show is that the audience almost knows more than the characters do in some of these scenes, and the extent of that is unique. So it's grown into a different show in a way. It's sort of grown into a different experience watching it.
I'm not coming from film school, I learned cinema in the cinema watching films.
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