A Quote by Fawn M. Brodie

Housework is a breeze. Cooking is a pleasant diversion. Putting up a retaining wall is a lark. But teaching is like climbing a mountain. — © Fawn M. Brodie
Housework is a breeze. Cooking is a pleasant diversion. Putting up a retaining wall is a lark. But teaching is like climbing a mountain.
But teaching is like climbing a mountain.
Wall climbing is an offshoot of the more traditional sport of mountain climbing. It is very difficult; one must combine a great deal of stamina with the ability of a world-class gymnast.
When you do a play, you have the kind of nightly feeling of accomplishment. But you also have the daily dread of the doing it every night. And because you're doing the whole thing every day, it's like climbing up the mountain every single night. With a movie it's like climbing the mountain very slowly, over months of filming.
The number one metaphor I have in my mind for writing a screenplay is that...you're trying to climb a mountain blindfolded. And the funny thing about that is, you think, 'Okay, that's hard because you're climbing up a rock face, and you don't know where you're going, and you don't know where the top is, you can't see what's below you...' But actually the hardest part about climbing a mountain blindfolded is just finding the mountain.
Mountain, mountain, mountain, marking time. Each nameless, wall beyond wall, wavering redefinition of horizon.
Life is brought down to the basics: if you are warm, regular, healthy, not thirsty or hungry, then you are not on a mountain... Climbing at altitude is like hitting your head against a brick wall - it's great when you stop.
There is an interconnectedness among members that bonds the family, much like mountain climbers who rope themselves together when climbing a mountain, so that if someone should slip or need support, he's held up by the others until he regains his footing.
Life is like a mountain: after climbing up one side and sliding down the other, put up the sled.
Mountain climbing is my passion, and to empower women through my expeditions is the reason. I am doing the mountain climbing to empower women.
We as children went up the mountain to find feed for livestock, like goats, cows and horses, and because in the winter time we would light the fire in the house, we would climb the mountain to collect firewood as well. Because of that, I suppose I became used to climbing mountains.
I have the tools to climb the mountain so I don't mind climbing mountains. I have climbed mountains since I was growing up in east London in Plaistow. I'm not scared of climbing mountains. When you get to the top, the view's great. That's what it's all about.
Writing a screenplay is like climbing a mountain. When you’re climbing, all you can see is the rock in front of you and the rock directly above you. You can’t see where you’ve come from or where you’re going.
Attaining lasting happiness requires that we enjoy the journey on our way toward a destination we deem valuable. Happiness is not about making it to the peak of the mountain nor is it about climbing aimlessly around the mountain; happiness is the experience of climbing toward the peak.
The obvious and fair solution to the housework problem is to let men do the housework for, say, the next six thousand years, to even things up. The trouble is that men, over the years, have developed an inflated notion of the importance of everything they do, so that before long they would turn housework into just as much of a charade as business is now. They would hire secretaries and buy computers and fly off to housework conferences in Bermuda, but they'd never clean anything.
Mountain climbing was my original sport ... and I've never tired from the satisfaction of getting to the top of a mountain.
If you build - if you spend billions of taxpayer dollars to build a wall over, let's say, a mountain, if you build a 10-foot wall over a 10,000-foot mountain, and someone is determined to climb the 10,000-foot mountain, they're not going to be deterred by the 10-foot wall. It's a matter of common sense.
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