A Quote by Fay Godwin

I like photographs which leave something to the imagination. — © Fay Godwin
I like photographs which leave something to the imagination.
From the black ocean comes the appearance of light and waves. It helps you imagine birth. I want imagination in the photographs I take. It's like a prologue. You wonder, What's going on? You feel something is going to happen.
I like density, not volume. I like to leave something to the imagination. The reader must fit the pieces together, with the author's discreet help.
I don't consider [my] photographs fashion photographs. The photographs were for fashion, but at the same time they had an ulterior motive, something more to do with the world in general.
Every year, the memories I have of my father become more faint, unclear, and distant. once they were vivid and true, then they became like photographs, and now they are more like photographs of photographs.
Photographs have always been the tar baby of censors and obscenity laws. Literature can certainly (if it's any good) conjure up the most pornographic imagination. But photographs dare to be real. No matter how contrived or constructed they are, there's that damn body staring you in the face.
I believe in the resonance and staying power of quiet photographs. These photographs required a certain seeing, but few special techniques, and no tricks. Something though was hard. It was hard being between photographs and not knowing when or how another image would reveal itself.
I feel very giddy with the idea of making my imagination take form and being able to put on a show where people leave feeling like they've experienced something.
I love photographs. I love taking photographs. When I see something that's great, I want to capture that. You put it out there and on a place like Instagram you can put it there and review it later.
I guess something that I've noticed from American acts who had success in touring is more of an explanation as to their music. Which is I think quite funny. I think British acts might like to leave more to the imagination - maybe a bit more obscure perhaps - a bit more shy.
Fear of error which everything recalls to me at every moment of the flight of my ideas, this mania for control, makes men prefer reason's imagination to the imagination of the senses. And yet it is always the imagination alone which is at work.
You never quite know what's going to strike your imagination, or something that won't going to leave you alone, not going to leave alone, and this was one for me.
If you're a poet, you do something beautiful. I mean, you're supposed to leave something beautiful after you get off the page and everything. The ones you're talking about don't leave a single, solitary thing beautiful. All that maybe the slightly better ones do is sort of get inside your head and leave something there, but just because they do, just because they know how to leave something, it doesn't have to be a poem for heaven's sake. It may just be some kind of terribly fascinating, syntaxy droppings--excuse the expression. Like Manlius and Esposito and all those poor men.
In a world where the 2 billionth photograph has been uploaded to Flickr, which looks like an Eggleston picture! How do you deal with making photographs with the tens of thousands of photographs being uploaded to Facebook every second, how do you manage that? How do you contribute to that? What's the point?
When people talk about imagination, they tend to think of fantasy or something made-up. But really imagination is a mode of perception. Which is maybe why so many artists have turned to the occult. Artists tend to feel like outsiders. Whether they are actually outsiders or not is also kind of irrelevant.
Laissons les jolies femmes aux hommes sans imagination. Leave the pretty women for the men without imagination.
Photographers must learn not to be ashamed to have their photographs look like photographs.
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