A Quote by Fay Weldon

Man seems not so much wicked as frail, unable to face pain, trouble and growing old. A good woman knows that nature is her enemy. Look at what it does to her. — © Fay Weldon
Man seems not so much wicked as frail, unable to face pain, trouble and growing old. A good woman knows that nature is her enemy. Look at what it does to her.
Man is the one who desires, woman the one who is desired. This is woman's entire but decisive advantage. Through man's passions, nature has given man into woman's hands, and the woman who does not know how to make him her subject, her slave, her toy, and how to betray him with a smile in the end is not wise.
I saw sensuality as sacred, indeed the only sacredness, I saw woman and her beauty as divine since her calling is the most important task of existence: the propagation of the species. I saw woman as the personification of nature, as Isis, and man as her priest, her slave; and I pictured her treating him as cruelly as Nature, who, when she no longer needs something that has served her, tosses it away, while her abuses, indeed her killing it, are its lascivious bliss.
The enemy is like a woman, weak in face of opposition, but correspondingly strong when not opposed. In a quarrel with a man, it is natural for a woman to lose heart and run away when he faces up to her; on the other hand, if the man begins to be afraid and to give ground, her rage, vindictiveness and fury overflow and know no limit.
It is a splendid thing to think that the woman you really love will never grow old to you. Through the wrinkles of time, through the mask of years, if you really love her, you will always see the face you love and won. And a woman who really loves a man does not see that he grows old; he is not decrepit to her; she always sees the same gallant gentleman who won her hand and heart.
This bored fantastic woman, with her animal nature, giving herself the pleasure of seeing her enemy struck down, not a particularly keen one for her because she is so weary of having all her desires satisfied.
A man has to find a good woman, and when he finds her he has to win her love. then he has to earn her respect. then he has to cherish her trust. and then he has to, like, go on doing that for as long as they live. Until they both die. That's what it's all about. That's the most important thing in the world. That's what a man is, Yaar. A man is truly a man when he wins the love of a good woman, earns her respect, and keeps her trust. Until you do that, you're not a man.
Nature does require her time of preservation, which perforce, I her frail son amongst my brethren mortal, must give my attendance to.
The working artist will not tolerate trouble in her life because she knows trouble prevents her from doing her work. The working artist banishes from her world all sources of trouble. She harnesses the urge for trouble and transforms it in her work.
Every virtuous woman desires a husband to whom she can look for guidance and protection through this world. God has placed this desire in woman's nature. It should be respected by the stronger sex. Any man who takes advantage of this, and humbles a daughter of Eve to rob her of her virtue, and cast her off dishonored and defiled, is her destroyer, and is responsible to God for the deed.
How much fame, money and power does a woman have to achieve on her own before you can punch her in the face?
Beauty ought to look a little surprised: it is the emotion that best suits her face. The beauty who does not look surprised, who accepts her position as her due - she reminds us too much of a prima donna.
The misnamed "feminine" woman, so admired by her creator, man - the woman who is acquiescent in her inferiority and who has swallowed man's image of her as his ordained helpmate and no more - is in reality the "masculine" woman. The truly feminine woman "cannot help burning with that inner rage that comes from having to identify with her exploiter's negative image of her," and having to conform to her persecutor's idea of femininity and its man-decreed limitations.
She moved from being a young woman into having the angular look of a queen, someone who has made her face with her desire to be a certain kind of person. He still likes that about her. Her smartness, the fact that she did not inherit that look or that beauty, but it was something searched for and that it will always reflect a present stage of her character.
Nature has hardly formed a woman ugly enough to be insensible to flattery upon her person; if her face is so shocking that she must in some degree be conscious of it, her figure and her air, she trusts, make ample amends for it.
Contessa, a.k.a. Baboushka, was a leader in the Russian mafia. Hardnosed, ruthless... very much her own woman. She's a martial artist, marksman, and good with guns and gadgets as any good pulp spy should be. She's supported by her constant companion Gyorgy Gyorgyov, an old friend of her family who was, in fact, her KGB handler and inventor.
Today the manliest man would be ashamed to look into the eyes of the woman by his side and tell her that he is the master because he could knock her down with perfect ease, and break her bones with much greater facility than she could his. And yet, out of man's brute nature, out of that most ignoble in himself, has come his loudest assumption of superiority, his longest and lowest tyranny.
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