A Quote by Fay Weldon

Writers are always a great nuisance to publishers. If they could do without them, they would. — © Fay Weldon
Writers are always a great nuisance to publishers. If they could do without them, they would.
If we could survive without a wife, citizens of Rome, all of us would do without that nuisance; but since nature has so decreed that we cannot manage comfortably with them, nor live in any way without them, we must plan for our lasting preservation rather than for our temporary pleasure.
If we could survive without a wife, citizens of Rome, all of us would do without that nuisance.
If you allow fame to get the better of you, you become nuisance, a public nuisance, a nuisance as a friend, as a member of the family, a nuisance to yourself.
Writers want publicity all the time, and they are always nagging their agents and publishers to give them more publicity, but, when you get it, it's kind of soul-destroying.
It's a shame publishers send rejection slips. Writers should get something more substantial than a slip that amounts to a pile of confetti. Publishers should send something heavier. Editors should send out rejection bricks, so at the end of a lot of years, you would have something to show besides a wheelbarrow of rejection slips. Instead you could have enough bricks to build a house.
The comedians all finished their acts with a song. They would get a certain amount of money from the song publishers and would use that money to pay the writers. None of them paid very much for their comedy material, but it all added up.
Normally, it takes me about three years to write one of the big books. It is usually four years between releases because of the huge amount of travel and PR and just nuisance going on around them. I have a lot of pressure from publishers and agents.
There are some great writers who are great talkers, but there are more great writers who are not great talkers. People seem to think there is some connection between talking and writing, but I love to talk and if there were some connection between the two of them I would be the most prolific writer in the history of the world.
Without writers, none of the entertainment would exist. It starts with writers. Writers are the most important piece of the entire puzzle.
There were always men looking for jobs in America. There were always all these usable bodies. And I wanted to be a writer. Almost everybody was a writer. Not everybody thought they could be a dentist or an automobile mechanic but everybody knew they could be a writer. Of those fifty guys in the room, probably fifteen of them thought they were writers. Almost everybody used words and could write them down, i.e., almost everybody could be a writer. But most men, fortunately, aren't writers, or even cab drivers, and some men - many men - unfortunately aren't anything.
The true experimenters are there but no-one hears about them - the critical/review system tends to concentrate on the handful of 'major' writers and their promising successors; bookshops tend not to sell them; publishers don't promote them. It's the same fate as has befallen poetry.
I think publishers need to be the ones that publish the books and control that process: finding writers, helping them with their work, finding readers. I think writers need that.
I always had good recognition from the Southern writers, but the publishers never took any notice of that.
Movie studios could learn a thing or two from British publishers. There is an intelligence, and a respect for writers; things that you hope for and never get in Hollywood.
Good writers borrow from other writers. Great writers steal from them outright.
I tend to turn down books originally published as e-books. As for selling books directly to e-book publishers, I would do so only if all traditional publishers had turned them down.
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