A Quote by Fay Weldon

Fiction, on the whole, and if it is any good, tends to be a subversive element in society. — © Fay Weldon
Fiction, on the whole, and if it is any good, tends to be a subversive element in society.
There is still such a thing as subversive. Subversive makes hip people nervous. It's something new that scares you in a good way. I mean, subversive to me is a compliment. Subversive is something that influences people to do something against society that they haven't thought of before.
Any startling piece of work has a subversive element in it, a delicious element often. Subversion is only disagreeable when it manifests in political or social activity.
Fiction has subversive potential. People let it into their minds, like the Trojan Horse. They don't know what's inside. You hook them with the story, and God can work below the level of their consciousness. Fiction can be propaganda for evil or convey a theme that impacts people for good.
I've been writing long enough to know that fiction, as a rhetorical mode, works very differently from expository writing. If an author has a specific critique about contemporary society in mind, fiction tends not to be the best means to deliver that critique.
The novel as a form is usually seen to be moral if its readers consider freedom, individuality, democracy, privacy, social connection, tolerance and hope to be morally good, but it is not considered moral if the highest values of a society are adherence to rules and traditional mores, the maintenance of hierarchical relationships, and absolute ideas of right and wrong. Any society based on the latter will find novels inherently immoral and subversive.
There's a reason why every human society has fiction. It teaches us how to be 'good', to behave in a way that is for the benefit of the whole community.
There's a reason why every human society has fiction. It teaches us how to be 'good,' to behave in a way that is for the benefit of the whole community.
I can be a subversive element.
I am not a member of any organization listed by the Attorney General as subversive. In any instance where I lent my name in the past, it was certainly without knowledge that such an organization was subversive. I have always been essentially and foremost an American.
The right tends to posit that the market fuels social good. The left tends to posit that the government fuels social good. At bottom, democracy claims that citizens drive social good, but there is currently no container for a political force-field that stakes claim to the unbelievable resources now virtually untapped in every man, woman, and child in our society.
Usually at the core of fiction that has some element of the absurd there tends to be an examination of some societal ills that we should talk about more than we do. And it's funny, of course, so we have that release valve with absurdism. It offers us a safe way to explore difficult subject matter.
For feel-good fiction to work, there has to be an element of darkness.
The way in which a society organizes the life of its members ... is one "project" of realization among others. But once the project has become operative in the basic institutions and relations, it tends to become exclusive and to determine the development of the society as a whole.
Any good job is a good job. This whole concept of a dead-end job? It's not true. I've heard it my whole life. Jobs lead to dignity. If you're good at the first, then you can get the second. Jobs lead to household formation. Jobs are a better solution for society.
It's always seemed to me that photography tends to deal with facts whereas film tends to deal with fiction.
Science fiction is a weird category, because it's the only area of fiction I can think of where the story is not of primary importance. Science fiction tends to be more about the science, or the invention of the fantasy world, or the political allegory. When I left science fiction, I said "They're more interested in planets, and I'm interested in people."
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