A Quote by Fay Wray
For the purposes of the play, it was perfect to be able to use that and the stresses and strains that there were. At the end of the play, the mother realizes the terrible things she had done.
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It was wonderful to be able to play a character who had so many colors and who was able to play comedy, to play incredibly vulnerable, which he did a lot of the time, to play the love story, and to play the relationship with the son, which is quite unusual. That's a gift to me, as an actor.
We started by playing girls who only married at the end of the picture. We didn't play wives. That came later. But the most dreadful thing was when a star had to play a mother. That was the beginning of her professional end.
My hopes and aspirations haven't changed since I started in this business. They've been to be able to play drama, to be able to play comedy, to be able to play leading men, and to be able to play character roles. I have no other aspirations in this regard.
That's what I do. I just let Mother Earth use me, in many, many instances, especially when I am working with pollution. She is a very real Spirit - she is your mother, and if you open to Her, she can come in and use you in a way that is very powerful. That is what Mother Teresa has done, by being selfless.
[on playing Walter] It was wonderful to be able to play a character who had so many colors and who was able to play comedy, to play incredibly vulnerable, which he did a lot of the time, to play the love story, and to play the relationship with the son, which is quite unusual. That's a gift to me, as an actor. It was like everything you could possibly hope for, over five years. So, I was a very lucky actor.
She had to play the role of mother and father at the same time, and she did it to perfection. I managed to find a way through because of her. My mother is my biggest inspiration.
Roy, the guy I play in 'The Grifters,' is a guy who had a very bleak life. His mother had him at 13, and then when she was 17 or 18 and he was 4 or 5, they were trapped in a small Texas town somewhere, and she was ready to do anything to get out.
I think that, when you play a mother, whether you play a bad mother or a not so great mother or an amazing mother, being a mother is already so complicated. It's already three-dimensional, automatically, no matter what the role is, because you're playing a mother.
One of the things I loved about working on 'Portal' was that we'd get emails from people saying, 'I love to play first-person shooters but my girlfriend won't play them with me. But I got her to play 'Portal' and she had a blast.'
When the mind is opening to that unbounded pure awareness, the field of pure intelligence, simultaneously the body is losing stresses and strains, and thereby the clouds that were hindering the use of inner full creative intelligence in action, they begin to wither away.
My mother was a jazz fanatic and she wanted me to play the piano so I could play jazz tunes. I wish I had learned but I was too busy getting into trouble!
I never saw my mother in jeans, even in the country. She had one pair, which I have, but she never wore them. They were from 'Rear Window,' in the end when she's wearing jeans and loafers and a shirt. They were comfortable things that zip at the back, with really tight little pleats. They're very dark, they're not proper denim.
Quite a few musicians came to our house. And my ma took me to hear many more, hoping to encourage in me a love of music. But she wouldn't consent to my having music lessons, for she feared I might end up as she had done - unable to play except from paper.
I did The Seagull, the Chekhov play, on Broadway, a couple of years ago, and I had done it in London, and I became completely obsessed with the character, Nina, that I played in that. She's an actress. I couldn't find a play after that, that I wanted to do, because I couldn't think of doing anything else. Every part is a disappointment, once you've done that part.
You play ensemble things that you had no idea you were going to play two minutes before.
In my earliest of years, my mother was a huge force in my life. She was for all intents and purposes, a single parent. My father had abandoned us. He was an alcoholic and a physical abuser. My mother lived through that tyranny and made her living as a domestic worker. She was uneducated but she brought high principles and decent values into our existence, and she set lofty goals for herself and for her children. We were forever inspired by her strength and by her resistance to racism and to fascism.
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