A Quote by Fay Wray
Actually, the camera was never overhead at any time. It was always a side view of me. Subsequently, after the picture was released, I saw some scenes from above and my clothes being pulled-and I think that was added later.
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I looked pretty crazy but at the time, you don't think anything of it. You think, "I've got an amazing job. I'm working and this is cool." I remember I was being fit to go to a premiere for something at Burberry and Christopher Bailey, who designs the clothes there, saw a picture of me and I looked weird. I had short black hair, hardly any eyebrows, I looked very very thin and he went, "We need to put Douglas in a campaign." So four days later, I was shooting a Burberry campaign because he had seen me looking crazy from the show so that was kind of funny.
For me, what was important was to record everything I saw around me, and to do this as methodically as possible. In these circumstances a good photograph is a picture that comes as close as possible to reality. But the camera never manages to record what your eyes see, or what you feel at the moment. The camera always creates a new reality.
It's frustrating actually, the time involved in getting something released these days. My new CD has actually been finished for a year. It's only now that it's being released.
It's frustrating actually, the time involved in getting something released these days. My new CD has actually been finished for a year. It's only now that it's being released
I gotta do some sad scenes. Why, I never tried to make anybody cry in my life! And I go `round all the time dolled up in kippie clothes-wear everything but a corset...can`t stub my toe in this picture nor anything! Just imagine having to play-act all the time without ever getting hit with anything!
When the photographer is nearby, I like to say, 'Quick, get a photo of me looking into the camera,' because I'm never looking into the camera. Christopher Nolan looks into the camera, but I think most directors don't, so whenever you see a picture of a director looking at the camera, it's fake.
The thing is, some girls think they can actually change guys. And what’s funny is that if they actually did change them, they’d get bored. They’d have no challenge left. You just have to give girls some time to think of a new way of doing things, that’s all. Some of them will figure it out here. Some later. Some never. I wouldn’t worry about it too much.
Never shop alone for your bridal dress. Take a friend and bring a camera to take a picture of you. Make sure to get a picture of the back view: that's the part of the dress most people are going to see for the longest time.
I don't think any actors love taking their clothes off on film, unless you're an exhibitionist, which I'm certainly not. Those are the scenes that you actually dread doing. But, so much more goes into this role. As an actress, it's all about reality, and I'm not a prude. I'm not someone who judges other people for taking their clothes off for roles. I'm not going to show everything, but nudity here or there doesn't faze me.
One time a guy handed me a picture. He said, 'Here's a picture of me when I was younger.' Every picture is of you when you were younger. 'Here's a picture of me when I'm older.' 'You son of bit, how'd you pull that off Let me see that camera. What's it look like'
I learned a long time ago the wisest thing I can do is be on my own side, be an advocate for myself and others like me, if I do that well enough, then I'll be able to look after someone else -- the children or the husband or the elderly. But I have to look after myself first. I know that some people think that's being selfish, I think that's being self-full.
I taught myself to use a camera - it's not very difficult to use a camera, but I never bothered looking at any textbooks on how to make a picture. I had a much more casual relation to it. For me at the time it was much more about the process rather than the results.
Suddenly, I saw it in a new way, as a picture that offered me a new view, free of all the conventional criteria I had always associated with art. It had no style, no composition, no judgment. It freed me from personal experience. For the first time, there was nothing to it: it was pure picture. That's why I wanted to have it, to show it - not use it as a means to painting but use painting as a means to photography.
These days I think the composers of music influence me more than any photographers or visual creators. I see something exciting or lovely and think to myself: 'If Papa Haydn or Wolfgang Amadeus or the red-headed Vivaldi were here with a camera, they'd snap a picture of what's in front of me.' So I take the picture for them.
A camera alone does not make a picture. To make a picture you need a camera, a photographer and above all a subject. It is the subject that determines the interest of the photograph.
I think that in a family some are workers some are not. I certainly saw my mother work very hard and be in charge and never show any kind of fear about business deals. Her golden rule was you should never be embarrassed talking about money and asking for what you deserved. I take the same view.
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