A Quote by Faye Dunaway

I mean, I was always interested in people like Lenny Bruce, people who are breaking the old rules and making new ones. — © Faye Dunaway
I mean, I was always interested in people like Lenny Bruce, people who are breaking the old rules and making new ones.
Any comic like myself owes everything he has to Lenny Bruce. He was the originator. The godfather of uncensored American stand-up is clearly Lenny Bruce.
I always say that it's about breaking the rules. But the secret of breaking rules in a way that works is understanding what the rules are in the first place.
I set out to be a cross between Lenny Bruce and Robert the Bruce.
"Gender trouble" is old. I mean, you know, in New York, it is old. I mean it's sweet. I mean people are really kind about it but it's like a former love affair you had and you're done.
I love chess, and I didn't invent Fischerandom chess to destroy chess. I invented Fischerandom chess to keep chess going. Because I consider the old chess is dying, it really is dead. A lot of people have come up with other rules of chess-type games, with 10x8 boards, new pieces, and all kinds of things. I'm really not interested in that. I want to keep the old chess flavor. I want to keep the old chess game. But just making a change so the starting positions are mixed, so it's not degenerated down to memorisation and prearrangement like it is today.
I'm not at all contemporary, not even modern, and the fact that I would be so quaintly attracted to that wrestling rule makes me, I suppose, seem all the more old-fashioned. I believe in rules of behavior, and I'm quite interested in stories about the consequences of breaking those rules.
I set out to be a cross between Lenny Bruce and Robert the Bruce - my main thrust was the body and its functions and malfunctions - the absurdity of the thing.
The greatest crimes in the world are not committed by people breaking the rules but by people following the rules. It's people who follow orders that drop bombs and massacre villages.
When you depart from standard usage, it should be deliberate and not an accidental lapse. Like a poet who breaks the rules of poetry for creative effect, this only works when you know and respect the rule you are breaking. If you have never heard of the rules you are breaking, you have no right to do so, and you are likely to come off like a buffoon or a barbarian. Breaking rules, using slang and archaic language can be effective, but it is just as likely to give you an audience busy with wincing.
I think humor is actually a very serious thing. I think the people who shaped culture, for the better, in the last 50 years or so, more than almost anyone else are people like Lenny Bruce, George Carlin, Richard Pryor and even Chris Rock, back when he was doing the edgier stuff.
I loved reading when the critics in New York would say that some of my films reminded them of Lenny Bruce.
Transgressive to me means breaking the rules and sinning. I don't see myself as breaking the rules and sinning. I'm really interested in what it means to be female.
I believe in rules of behavior, and I'm quite interested in stories about the consequences of breaking those rules.
Italian is a very different poetic situation and there are these hard and fast rhythmic periods, settenari, ottonari of seven and eight syllables. These are fundamental to the way people speak and write and breaking them is more radical in Italian than when we break a line. I'm sure there are Italian poets who want to write poetry as prose and break these Petrarchan rules. And breaking them is fun and a valid thing to do. But I'm more interested in trying to write poetry that absorbs tradition and uses it in new ways, and doesn't throw it out.
Trump is like an eater of worlds from an 'Avengers' movie, but there seem to be different rules for him. What are Twitter doing, for example? He's constantly breaking their rules, the sort of stuff other people get thrown off for.
I went to grad school because I wanted to learn the rules so I would know how to break them. Breaking the rules is saying, 'I'm breaking in, OK? I'm breaking in your very comfortable little house over here, and I'm going to take a room.'
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