A Quote by Faye Dunaway
Since Star Wars, that film's success led to bigger budgets, more hardware, that the great movies like the ones I did, which were studio movies, are now independent movies. They range from half a million to several million, and a lot of those have very interesting roles.
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Studio movies are looking more like independent movies and independent movies are looking more like studio movies, and I think cinema is better now because of it.
I wanted to do serious movies. I had a certain idea of what good acting was. That's since changed, and I love doing comedies now. I don't like a lot of those movies now, but I thought those were movies that I could do real, serious performances in.
I think of myself as making independent films within the studio system. Yes, I've made movies with significantly larger budgets, and I've also made movies with smaller budgets.
The great movies that I want to do now are being made for $2.5-million budgets.
You could just do independent movies, but I like bigger kind of studio movies, at least some of them.
The budgets are much higher now, it costs more to make a movie and the kids that go to see them are into instant gratification. They want things bigger and bigger. I don't make those kind of movies. I make movies about relationships.
Indie movies can be a lot more stressful than studio pictures. The stakes are just as high whether you're talking $3 million or $40 million.
I did two movies that were arthouse movies; they were critically successful but made no money at all... but after making those movies, I thought, 'I wouldn't watch my own movies when I was 16, and my buddies where I came from wouldn't watch my movies, because they were boring.'
I've always been curious what the negotiation is because obviously there's certain movies that every film wants a trailer on, like Star Wars, and I don't know how Disney makes the decisions as to what it does and doesn't put on there. I'm assuming that whatever movies are the same studio as the film get first priority, but then everybody else is fighting for the remaining spots.
Richard Donner made great movies. Seminal movies. The Academy, though, and we have to be careful here, should recognize popular films. Popular films are what make it all work. There was a time when popular movies were commercial movies, and they were good movies, and they had to be good movies. There was no segregation between good independent films and popular movies.
The Seydoux-Schlumberger industrial empire won't make $100 million movies. Hollywood does that much better. But you don't make movies because of their budgets, you make movies because you believe in them. Setting limits doesn't matter to me.
Since I got into the movies, 'Running Scared,' that did $40 million. 'Princess Bride,' I got good reviews for the character Miracle Max. 'Memories of Me' didn't do well. 'Throw Mama from the Train' did $70 million. 'Harry and Sally' did 95 or 96. 'City Slickers' did $120 million.
The only answer to the question 'Which is the worst of the 'Star Wars' movies?' is, there is no worst 'Star Wars' movie. There - one might be the least amazing and fantastic, but there's none that is the worst of the 'Star Wars' movies.
You read a lot about movies with budgets of $25 to 30 million. Hell, if a studio can piss away that kind of money, why not let 'em piss on me?
I haven't done a lot of studio movies, but studio movies and independent films are always just as fun as each other.
'Star Wars' is life, but 'Star Wars' is also not very good, which is why 'Rogue One' - a Frankenstein's monster assembled from a butchered first cut and an excessively large space antenna that only exists to add another 30 minutes to the film - is one of the better 'Star Wars' movies.
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