A Quote by Faye Kellerman

We live in a time of instant everything, courtesy of the electronic highway. It creates a community of toddlers. When they don't get immediate gratification, they get petulant and sulky.
We live in a society right now which is the last phase of the ecosystem in terms of the old entertainment value, or the old entertainment construction, which is we've gone down to this instant gratification, instant numbers, instant understanding, instant. But it's like the exact - it has perfected itself to the instant click, when, in a way, creativity originates as a much more complex beast. So we now have to reinvent a new canvas where we can indulge in it. And that's where the digital revolution creates a whole new ecosystem of entertainment.
I wrote about Freud and the process of sublimation, which is when you learn to stop breast-feeding, or stop going to the toilet whenever you want to. It's about learning to repress a desire for instant gratification. And in a repressed society, artists fulfil a sense of harking back to instant gratification, or immediate expression, by doing things that function on the edge of society, or outside of what is conventionally accepted.
We live in a day when the adversary stresses on every hand the philosophy of instant gratification. We seem to demand instant everything, including instant solutions to our problems. . .It was meant to be that life would be a challenge. To suffer some anxiety, some depression, some disappointment, even some failure is normal.
Polaroids were the instant thing to get a photo back when I started it. You had to wait two days to get your film back if you had a real camera, and I was more of an instant-gratification guy.
We live in a quick-fix society where we need instant gratification for everything. Too fat? Get lipo-sucked. Stringy hair? Glue on extensions. Wrinkles and lines? Head to the beauty shop for a pot of the latest miracle skin stuff. It's all a beautiful £1 billion con foisted upon insecure women by canny cosmetic conglomerates.
I think one of the great things about acting is the instant gratification: you just get up and start being a part of the story. The immediacy is something you get really addicted to.
Everybody wants instant gratification for everything. It's all got to be like fast food. You want a hamburger now, you get it now. Hey, even when McDonald's started out, it took them a couple of minutes to make your burger and get it to you. Now, it's all wham, bam. That's tough enough on a burger. It's impossible with a relationship.
Nobody gives a care about the fate of labor as long as they can get their instant gratification.
I like the Internet as place to get instant gratification: posting a comic online is the quickest way to get attention for your art, but I have been talking to a lot of younger, aspiring cartoonists who very quickly get discouraged if they aren't getting a lot of attention immediately. This can also be aggravated by artists who appear to be really quickly Tumblr-famous, and get lots of notes on their work.
In an era of instant communication, a flaw or non-perfect product creates immediate bad buzz.
We live in a time where there's a required instant gratification from audiences. That's a fun challenge in terms of putting together this teaser, picking and choosing how much you're actually giving away.
I think that can also be the downfall at the same time in what's really difficult about being kind of in the public eye, you have so much exposure through the Internet, and you can receive a lot of comments, and you get kind of immediate gratification, but also immediate response from people that can either be negative or positive. But I'm really thankful for the internet because it's allowed me to connect with people so much more easily.
In a repressed society, artists fulfil a sense of harking back to instant gratification, or immediate expression, by doing things that function on the edge of society, or outside of what is conventionally accepted.
As we get past our superficial material wants and instant gratification we connect to a deeper part of ourselves, as well as to others, and the universe.
When a language creates - as it does - a community within the present, it does so only by courtesy of a community between the present and the past.
Instant gratification is not as good as that gratification which comes dripping slow, over the sere seasons.
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