A Quote by Federico Garcia Lorca
All one's personality is embedded in gloves and hats after they've been good and used. Show me a glove and I'll tell you the character of its owner.
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I'm a pitcher, so the glove is my only accessory. The hitters get to have all the fun. They have batting helmets, the actual bats, gloves, elbow guards - all this cool stuff to wear. And all I get is a glove.
There is not an acre of ground on the globe that is in possession of its rightful owner, or that has not been taken away from owner after owner, cycle afer cycle, by force and bloodshed.
I wear a lot of black, knitwear, skinny jeans and very high heels. My mum used to work for a fashion designer making knitwear, so she knits me lots of chunky scarves, hats and gloves, which I love.
When two terms belong to the same category, it is proper to construct conjunctive propositions embodying them. Thus a purchaser may say that he bought a left-hand glove and a right- hand glove, but not that he bought a left-hand glove, a right- hand glove, and a pair of gloves. 'She came home in a flood of tears and a sedan-chair' is a well known joke based on the absurdity of conjoining terms of different types. Now the dogma of the Ghost in the Machine does just this. It maintains that there exist both bodies and minds.
But when a black player calls a white owner a slave master that's dangerous. It's one thing to say an owner is a good owner or a bad owner, but you have to be careful when you bring race into it.
For people to come to you and say, 'Would you like to be a part of our show?' after years of 'Please tell me I'm good enough'... I can't tell you how wonderful it feels.
For people to come to you and say, 'Would you like to be a part of our show?' after years of 'Please tell me I'm good enough,'... I can't tell you how wonderful it feels.
In most good stories, it is the character's personality that creates the action of the story. If you start with real personality, a real character, then something is bound to happen.
In an effort to civilize combat sports, authorities mandated padded gloves and instantly made the sports far more savage. Granted, putting gloves on the hands seems like a nice thing to do. If you were being punched in the brain by a powerful man, wouldn't you rather he strap a pillow around his fist? But the glove doesn't do anything to diminish your brain damage.
I look up at the ceiling, tracing the foliage of the wreath. Today it makes me think of a hat, the large-brimmed hats women used to wear at some period during the old days: hats like enormous halos, festooned with fruit and flowers, and the feathers of exotic birds; hats like an idea of paradise, floating just above the head, a thought solidified.
Until a character becomes a personality it cannot be believed. Without personality, the character may do funny or interesting things, but unless people are able to identify themselves with the character, its actions will seem unreal. And without personality, a story cannot ring true to the audience.
Putting gloves on the fighters was a symbolic change that suggested that we were now making it a civilized sport, and it was no longer this crazy gladiatorial throwback to ancient Rome. It's even in our language: If you want to get serious and violent, what do you do? You "take the gloves off." Bare-fisted is supposedly a much more dangerous way to hit someone. But we've got it completely backward. The glove is a weapon. It massively accentuates the ability of the fist to do harm.
He could wear hats. He could wear an assortment of hats of different shapes and styles. Boater hats, cowboy hats, bowler hats. The list went on. Pork-pie hats, bucket hats, trillbies and panamas. Top hats, straw hats, trapper hats. Wide brim narrow brim, stingy brim. He could wear a fez. Fezzes were cool. Hadn't someone once said that fezzes were cool? He was pretty aur ether had. And they were. They were cool.
I'm not playing a character. What I'm doing though is taking the worst, most shameful, peculiar, or troubling aspects of my personality. So there are elements of me that are not there. The happy version of me is not really in the show, because there's nothing funny about being happy. So it's more like I'm poaching on the funniest parts of me rather than actually creating some other character.
Where does a character come from? Because a character, at the end of the day, a character will be the combination of the writing of the character, the voicing of the character, the personality of the character, and what the character looks like.
Usually viewers are attached to a character or that character's personality. But, in my case, I have been exceptionally lucky as I have been accepted as Shweta.
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