A Quote by Federico Garcia Lorca

Besides black art, there is only automation and mechanization. — © Federico Garcia Lorca
Besides black art, there is only automation and mechanization.
The automation of automation, the automation of intelligence, is such an incredible idea that if we could continue to improve this capability, the applications are really quite boundless.
We talk too much of black art when we should be talking about art, just art. Black composers must be free to write rondos and fugues, not only protest songs.
There isn't only one way that black art or entertainment is represented, and that's the most important thing. We're permeating every style. We're claiming and, when necessary, appropriating all kinds of forms. Nothing is forbidden, because it's not what black people do: because it's not what we think of as black art.
If art is singular expression, then by nature, the best art is controversial. But when art stirs debate for reasons besides its artistic integrity, that's when things get bent.
I was always the only black in the movie theater, the only black in class, the only black in the library, the only black in the discotheque. I always felt observed and judged.
It's a slippery slope when you make the argument that hip hop is only a black person's art. Certainly, its origins are in that community, but if you want it to endure as an art form you have to let other people have their way with it.
In olden times when there was a war, it was a human-to-human confrontation. The victor in battle would directly see the blood and suffering of the defeated enemy. Nowadays, it is much more terrifying because a person in an office can push a button and kill millions of people and never see the human tragedy that he or she has created. The mechanization of war, the mechanization of human conflict, poses an increasing threat to peace.
History has proven that art depicting black people cannot be disentangled from the political implications that such art has on their lives. As Africans were being stripped from the continent and sailed across the Atlantic to the Western world, depictions of black people in Western art changed in order to further render them racialized caricatures.
When you go to an art museum, the thing you're least likely to encounter is a picture of a black person. When it comes to ideas about art and about beauty, the black figure is absent.
I think that black people making art, women making art, and certainly black women making art is a disruptive endeavor - and it's one that I enjoy extremely.
Our age of mechanization leads along a road ending with man himself as a machine. Only the spirit of singing can save us from this fate.
Only in black and white can I see the design and textures. I don't consider color photography art. Black and white is an interpretation. Color is a duplication.
Whatever you are studying right now, if you are not getting up to speed on deep learning, neural networks, etc., you lose. We are going through the process where software will automate software, automation will automate automation.
As a black person on the outside, because there's so much black art and so much of black people's work circulating, so many people imitating what black people do, you would think that there'd be more black people on the business side. It didn't cross my mind that every label head, for the most part, is a white guy.
In addition to replacing many jobs, automation will also transform other jobs. Professions involving high touch, personal relationships - such as clergy, dentists, and financial advisors, for instance - face the least risk of automation but will nevertheless be profoundly transformed.
Black art is not some kind of a magic wand: there still has to be a humble heart attached that's listening to it. And I know it's not a wand because plenty of fans love to turn on us as soon as they realize we are actual black people, with black concerns in our black lives.
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