A Quote by Fedor Emelianenko

I always remember that I am a representative of my country, and I always think about the culture I'm bringing to people. — © Fedor Emelianenko
I always remember that I am a representative of my country, and I always think about the culture I'm bringing to people.
I am not a Somali representative. I am not a Muslim representative. I am not a millennial representative. I am not a woman representative. I am a representative who happens to have all of these marginalized identities and can understand the intersectionality of all of them in a very unique way.
Club culture is always going to be a reflection of youth culture, but I think we're maybe moving into a time when the club is a place where older people can go, too. And it's a place people go to connect to themselves, it's not always about the party. It's also about letting off steam and expressing yourself and connecting to other people.
One of the things that perhaps we can learn through the political process about bringing people together is to remember South Carolina, remember the families of the nine victims, how they brought a community together during the worst atrocity in our state's history, i am thankful that I live in a country where forgiveness can be seen in the worst of conditions.
It was really always about bringing back [James] Baldwin's words in all their rawness, in all their impact - in the way he analyzes not only this country but also the history of this country, the images that this country is fabricating through Hollywood, and what consequence that has in our imagination.
Everything I do is somehow rooted in humanity. It's always about people; it's always about ego. It's always about desperation. It's quite existential. You know, 'Am I leading a good life?' That might be because I'm an atheist, and I think this is all we've got, so you better be nice. And have fun.
I do think I'm country, but your definition of that word might be different from my definition. In my opinion, country music, the sound of country, has always evolved. But the one thing that has not changed is the story element. And I think country songs are truthful songs about life written by country people.
I am grateful for the opportunities I have been given to participate in that work as a representative of my country, Canada, whose people have, I think, shown their devotion to peace.
As a writer, I've always believed that while my work and I myself are embedded in whatever period I am writing about, clearly I am sensitive to the winds that are blowing in the culture. At the same time, I have always felt that the issue was not to deal with the problem in the abstract, but to deal with the people who are in that problem. The emphasis is on the people. The general problem begins to resolve itself even before the play is finished.
For acquiring companies, the excitement is almost always about where they are going - that is, their strategy for gaining greater growth and productivity. But when mergers fail, it's often because no one focused on who they are - that is, their culture, which is critical to successfully bringing different groups of people together.
Hong Kong and Macau are both very dynamic cities. I am always inspired about the culture, people and food in these two cities. There is always so much to do and so much to explore!
I have always hated celebrities lecturing people on politics. So forgive me. But I am passionate about this country. I am equally passionate about the potential of the people who live here.
The pressure is always very high. I am the client, and when I am the client, I need to fight with the photographer or with the stylists or with all the people that are on the set, because I am the only one who has a very specific vision. I always have the pressure, either from myself or from the company. I am a control freak. It's part of my culture. I know that I am still working to build a Frida moment at Gucci.
Well, I am very happy that I was able to play a part in bringing music from the streets onto the radio and into modern culture, I worked very hard and always believed in the sounds I was creating.
Think how you love me,' she whispered. 'I don't ask you to love me always like this, but I ask you to remember.' You'll always be like this to me.' Oh no; but promise me you'll remember.' Her tears were falling. 'I'll be different, but somewhere lost inside me there'll always be the person I am tonight.
I have American friends in France, and when I meet with them, they tell me about everything that is wrong with France. I think there is a general expat syndrome, which means that whatever country you are in, you are always missing your own country and always thinking that the country you live in is actually not as good as it could be.
There's always room for your hard-core country songs, and that will always shine through, and I'll always have those on my albums. And then I'll have fun stuff that gets people up and dancing that some people may want to say, 'Well that sounds real pop-y!' but I don't really think it does, I just think it's what's going on.
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