A Quote by Feist

I don't want to take photographs that I won't recognize as myself, and myself isn't necessarily just blankly staring at the lens. — © Feist
I don't want to take photographs that I won't recognize as myself, and myself isn't necessarily just blankly staring at the lens.
I have to try to watch myself and give myself feedback. People would take for granted that I was ready to go right away. And I would say, "No, no, no, no, I actually have to go talk to myself." Because I need to just take a minute to think about what just happened and tell myself what to do in the next take, so just give me two minutes to go be a director.
When I was out in Georgia doing photographs, I found myself trying to undo my own sense of composition. I'd think, 'Why do I want to take it like this? Is it because I want to take a beautiful picture?' It's quite hard to try and undo it.
Working on 'Raising Hope' is a very hurry-up-and-wait activity, and I just always liked the idea of being as productive as I can be. I write because I don't just want that time to dissolve, where I'm sitting in a trailer staring blankly at the paintings of moccasins that came with the trailer.
Sometimes when I am alone in my room in the dark, I practice smiling to myself. I do this to be kind to myself, to take good care of myself, to love myself. I know that if I cannot take care of myself, I cannot take care of anyone else.
I’m trying to please myself; certainly that’s a big criterion... though in a sense, I don’t take images just for myself. I take images that I think other people will want to see. I don’t take pictures to put in a box and hide them. I want as many people to see them as possible.
To see, to hear, means nothing. To recognize (or not to recognize) means everything. Between what I do recognize and what I do not recognize there stands myself. And what I do not recognize I shall continue not to recognize.
I can't draw a line between myself and stuff that I do. It's funny, I don't want to sound like it's just about this, but really with everything I do, it's hard for me to take myself out of it.
A good print is really essential. I want to take strong documentary photographs that are as good technically as any of the best technical photographs, and as creative as any of the best fine-art photographs. [...] I don't want to just be a photo essayist; I'm more interested in single images...ones that I feel are good enough to stand on their own.
I want to be as healthy as I possibly can be. I just want to make sure that I do everything to take care of myself. Like they say, charity begins at home. Love begins at home, too. So I want to do the best for me. I want to pamper myself and do the best for my body.
People like Jefferson, Lincoln, Susan B. Anthony and M. L. K. are larger than life to me. I find myself staring at photographs of Lincoln almost in disbelief that he was a man who walked the earth and not merely some fiction writer's creation.
I've realized now that I just want to be myself. I don't necessarily want to wear an exact copy of something on the runway, because that's not really what style is to me.
You get a lot of people requesting photographs but I tend to keep myself to myself, pull my cap down.
It wasn't until I realised that I could actually take nice photographs that I started to become passionate about it. I then got a few jobs working for magazines in London, and I would get terribly excited and intense about doing a job and taking photographs and looking through the lens to capture something amazing.
No, I do a bunch of things to entertain myself. I paint, I make music, I take photographs.
I kind of just roll up on stage. I realize that as soon as I find myself wearing something that I haven't worn ten times in the past, I'm like, "Who am I right now? I don't recognize myself!"
I don't necessarily view myself as a big - I view myself just as a player, someone who can go out there and contribute to the team from any position.
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