A Quote by Feist
I've never been drawn to concert DVDs because they take away the part of the equation that's most important to seeing a live show: getting jostled around and feeling the energy in the room. I definitely didn't want to make one of those.
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I want to be someone capable of seeing the unseen faces, of seeing those who do not seek fame or glory, who silently fulfil the role life has given them. I want to be able to do this because the most important things, those that shape our existence, are precisely the ones that never show their faces.
I never want to make videos with people who don't want to make them with me. I don't want to force people to take part. Only people who want to collaborate. And that's important because otherwise, the videos wouldn't work. Them choosing to take part is very important to the videos.
A concert is not a live rendition of our album. It's a theatrical event. I have fun with my clothes onstage; it's not a concert you're seeing, it's a fashion show.
The most important thing is being genuine, and real, and not getting caught up in the "Star-Ness" of it. You don't want to act like a star around other people. You have to watch it, and you want to stay grounded, it's very important, and that's probably what I have learned most because you definitely have opportunities to let your ego run wild and you have to keep your ego in check.
If for you the most important thing is to make a lot of money, then you don't want to take a certain type of risk. If, on another hand, the most important thing to you is to make people around you have a more fulfilled life, then there is a different set of things that are important to you. Unless you really know that about yourself, you will never be able to appropriately assess risk.
In a live environment, the more bodies you put in a room, the more energy there will be. That's a real big payoff. That's really important, the live show, it's a big cycle of energy. If the audience is boring, it's tough to get excited about it.
I have a little two-bedroom house and that's the way I like it. We live in a time where it's cool to present this luxurious lifestyle on social media. I don't want to be a part of something that makes people not be happy with their own life and crave this false sense of reality. I don't want people who are working that blue-collar job and barely getting by to feel bad. I don't want those people to feel like they're not doing something right because they're not flying around on jets or driving fancy cars. I never want to make them feel like they're not worthy.
Every race I've been in, I calculated race into the equation. If you're in America, you calculate it into the equation. It is a factor. I never make it an issue. I don't run the campaign wearing it on my sleeve, but I don't run away from it, either.
If you ever watched 'Hercules,' you can see that it was made in a comical way for the most part. I remember getting lots of letters from kids around the world saying that the show helped them curb their temper and not look for trouble and just walk away from it because that was the stronger thing to do.
Being in Nirvana was amazing an experience that will never happen again for me. And I look on them as some of the best and worst times of my life. But we're in this band, the Foo Fighters, making music for the love of music. We all came from bands that had disbanded, and we were drawn to each other because we missed playing - we missed getting in the van, loading our equipment, and watching it break down in the middle of a show. And that feeling hasn't gone away. There's nothing I'd rather do than make music. It's the love of my life.
So with the skinnier guys, you definitely want to make sure you get a body on them; that's how you take away big guy's length, by getting into their bodies.
You have to give them something where they walk away and say, 'I want more of that.' To create something like that, you have to take them on a journey. So the live show is very important to us; we've been working on that a lot.
At what age did I start to think that where I was going was more important than where I already was? When was it that I began to believe that the most important thing about what I was doing was getting it over with? Knowing how to live is not something we have to teach children. Knowing how to live is something we have to be careful not to take away from them.
Every second you spend thinking about what you don't want in your life is a second denying focus and energy from getting what you do want. Every minute you worry about what's not working is a minute drawn away from creating what will work. And every hour spent reflecting on the disappointments of the past is an hour stolen from seeing the possibilities that your future holds.
You walk a fine line when you have a performance at a show just as you do with having celebrities attend a show - you never want the attention to be drawn too far away from the clothing.
For me, the exhausting thing about touring is the sitting around, which is why working on my concert music is really great - and also seeing concerts and seeing friends and, whenever possible, getting out to see a museum.
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