A Quote by Feist

Musically, I didn't relate to Berlin. There seemed to be a lot of machine music made there - I don't think I saw a stringed instrument in two years. — © Feist
Musically, I didn't relate to Berlin. There seemed to be a lot of machine music made there - I don't think I saw a stringed instrument in two years.
I know when the Berlin wall went down and I walked into what was East Berlin and saw two big Nike banners - that gave me a chill.
The heart is a thousand stringed instrument that can only be tuned with love.
I made this Swedish movie called 'Snabba Cash,' or 'Easy Money,' and it was shown at the Berlin Film Festival. A lot of American studios, agents, and people like that saw it there and liked it.
I think of music a lot when I paint. The theme of it to a degree is music. So instead of literally putting in music or literally putting in a musical instrument, I use only a hint of the instrument, but the brocaded pattern is like a line of Bach because of its order and the leaves going up are like passages from Vivaldi, and the emphasis on drapery is where the sound comes.
The need for a quick, satisfactory copying machine that could be used right in the office seemed very apparent to me-there seemed such a crying need for it-such a desirable thing if it could be obtained. So I set out to think of how one could be made.
There are a lot of influences from different countries in my music. For example, I chose the guitar in my music, I think that it is a feminine instrument, so when I do not sing, the music expresses my voice.
I had this instrument that I built in high school. It was a huge, six-foot-long stringed instrument, and I started playing with that amplified and singing through power electronic stuff. I played those shows, and it would blow the lid off of everybody, and everybody would flip out.
I think it all comes back to the individual. My instrument's just a pile of metal and wood! If you listen to the way I speak I have a lot of rhythm, use a lot of accents. When I'm playing my instrument that concept comes through very clearly. In fact some people who've seen me play have noticed that I'm singing - but it's more that I'm actually speaking. So it's not really about the instrument. But for me, in my thinking, the music is all about the melody. When I compose, 99 percent of the time I start with the melody.
My first stringed instrument was a cigar box banjo where I cut and turned the pegs and strung the wires myself.
The Shield was only around for what? Two years? And we did a lot in two years. I think the fact that people even take those two years and put them up against the reputations of those other groups really says a lot about what we were able to accomplish in that short period of time.
But I certainly made mistakes, for which I regret, I think most human beings in their lifetime make mistakes, mine ended up in two years prison - two very remarkable years from which I learnt a lot.
When God made man the devil was at his elbow. A creature that can do anything. Make a machine. And a machine to make the machine. And evil that can run itself a thousand years, no need to tend it.
Since I've grown up I really wanted to be able to create something different. In Persian music, opposite, again, to classical music, that the instrument developed and evolved over, like, hundreds of years, our instrument all remained the same.
Music is my passion. I've always been musically driven and musically inclined. I play the keyboard a little bit. I love listening to music and discovering music. That's my love, but I'm not a rapper at all.
I have worshipped Berlin from the day I read 'Two Concepts of Liberty' in South Africa. It seemed to make it respectable to be a liberal.
I play guitar, bass, drums, piano, and pretty much any sort of stringed instrument - besides violin or cello.
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