A Quote by Fela Kuti

I've studied my culture deeply and I'm very aware of my tradition. — © Fela Kuti
I've studied my culture deeply and I'm very aware of my tradition.
My father was not only a planetary scientist and a great popularizer of science, but he thought very deeply about the world. He was a scholar, he studied history. He taught a class in critical thinking, and he was very, very aware of the directions we might go.
I love my own culture. I love my African-American culture very deeply, and I know it deserves to be honored. You have to be aware that people are suffering unjustly, and given our own history we have a duty to stand for the people who are being treated like our parents and grandparents and children were treated.
I've studied kings, so I'm very aware of the feet of clay of authority.
Now consciousness, what is consciousness? Consciousness is being aware of one's surroundings, recognizing the existence, truth or fact of something; being aware of the very moment, the very instant that you are in; being aware of how you affect the human social, political, and natural ecology you are a part of and how it affects you. Consciousness is being informed and instructed through your groups peculiar culture on the effects of the varied ecologies on your immediate and distant ancestors, and to be aware of their interpretation of that experience.
I studied cinema at the university so I had a very classical approach to it. I studied all those silent films, and then the films from the 1940's, the Nouvelle Vague, the late Hollywood films. Now I realize, as a young actor, that it's one of my duties to actually be aware of what is today's industry and today's next big directors.
I was actually very pleased that they let me do it, because I feel very deeply for breast cancer survivors. I don't have it, but it is in my family. I've always been very aware of it. I go for mammograms and checkups.
Today, nobody cares about European culture. We have a tradition, a vision, a culture of the past, we have legacy, but we don't have a present culture and we don't have a future.
Bullfighting has some of the elements of a sport or contest, and in the United States most people think of it as a sport, an unfair sport. If you're in Spain or Mexico it's absolutely not a sport; it's not thought of as a sport and it's not written about as a sport. It has elements of public spectacle, but then so does, for example, the Super Bowl. It has elements of a deeply entrenched, deeply conservative tradition, a tradition that resists change, as you pointed out.
Chicago is complicated and complex and very violent but also very rich with history and tradition and art and culture - it's all these things.
Coming up, the music of my era was very conscious. I grew up on Public Enemy, and it was popular culture to be aware. People were wearing Malcolm X T-shirts and Malcolm X hats. It was a very cool thing to know who Malcolm X was. It was all in the lyrics. It was trendy to be conscious and aware.
The BBC is very aware of its role in shaping people's consciousness... it's manipulative and deeply political.
Each culture has some knowledge. That's why I studied with Saj Dev, an Indian flute player. That's why I studied Stockhausen's music. The pygmies' music of the rain forest is very rich music. So the knowledge is out there. And I also believe one should seek knowledge from the cradle to the grave. With that kind of inquisitiveness, one discovers things that were unknown before.
Whether he is aware of it or not, every human being dwells in tradition and history. Human memory is this constant dwelling in tradition. It constitutes that fundamental human characteristic of historicity.
Those who feel guilty contemplating "betraying" the tradition they love by acknowledging their disapproval of elements within it should reflect on the fact that the very tradition to which they are so loyal—the "eternal" tradition introduced to them in their youth—is in fact the evolved product of many adjustments firmly but delicately made by earlier lovers of the same tradition.
I've been really fortunate and I've just tried to focus on the work and getting people to see Mexico, its food and its culture in a slightly different light. It's tricky with Mexican food because a lot of our recipes are so deeply rooted in tradition and Mexican history. That's a heavy responsibility!
In south India, the film culture is deeply rooted. That makes it very professional.
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