A Quote by Felice Picano
I'm an active author: I travel to give readings and talks, although I know it's risky.
Related Quotes
You know who's messianic? Netanyahu, because he talks that way. And that's a very risky position.
I love doing the readings. The readings are the fun bits... The readings are probably the things that actually keep me going on these. If I couldn't do the readings, I wouldn't do the [signing] tours. I get to stand up there and read to a bunch of adults who in many cases nobody's read to in years, since they were about five. They just squat on the floor. That's enormously enjoyable.
All art is unstable. Its meaning is not necessarily that implied by the author. There is no authoritative voice. There are only multiple readings.
Most directors that I've worked with - I've worked with before, especially in Holland - and they know that I'm somebody who talks and asks, and talks, and talks, and talks and questions and turns things around. I'm like a little cat, walking around my little nest until I find my place.
God, though this life is but a wraith, Although we know not what we use, Although we grope with little faith, Give me the heart to fight and lose.
If you want to know the reality of life, then you should travel. At first travel your country, after that start travelling the world. Travel to know your surroundings so that we can say that you are an aware person. Nature, people and culture are calling you, so travel.
I know that I am a singer and an actor, yet in order to give the public the impression that I am neither one nor the other, but the real man conceived by the author, I have to feel and to think as the man the author had in mind.
The Congress talks and talks and talks and talks, but doesn't act. I'm going to continue to work with my colleagues on the other side of the aisle to bring about comprehensive immigration reform.
Good travel books, like travel itself, open the door to new worlds. In the strongest works the author's vision becomes our own, especially if his or her subject is a distant destination.
Most people I know don't even realize I'm an award-winning author, but I have gotten many opportunities to travel to places I'd never have visited otherwise.
I do that a lot of authors still do not do is allow people to write directly to me. I get about 50 fan letters a day, and I answer every single one of them myself. It takes a lot of time and sometimes it's a pain in the neck and I answer the same questions over and over. But the truth is these people come to my readings clutching these letters saying, "You wrote me back. I can't believe you wrote me back", and I think it really means a lot for them to know that the author values them just as much as they value the author.
It's very intuitive, the way that I approach my work. I only buy something that has a pulse. I may not know how I'm going to use it, but I know it has a pulse and it has multiple readings - if I shift it one way or another, it can be read this way or it can be read that way, but both readings are critical and very much ground the work.
You travel across the country, you visit departments, you give talks, you talk about the work at your laboratory - what's going on, what the opportunities are there - you talk about your own research.
But today we become aware of other readings of the human experience very quickly because of the media and the speed with which people travel the planet.
I've learned that my readings of others' work often has little connection to their intentions. This doesn't mean that my response is wrong, and it doesn't make the author's views less right. Poets, like their poems, are "hopeful monsters".
I didn't understand in the beginning that the editor didn't want me to know the author. I'd make an effort to meet the author, but it would end up being a disaster because then I had the author telling me what I should be doing.
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