A Quote by Felice Picano
All writers want to know that someone is reading their work, taking them seriously. It provides a kind of moral support.
Related Quotes
I can pretty much tell which way a meeting's gonna go in the first three or four minutes. Because if someone's not taking me seriously, I'm definitely not taking them seriously.
There's a lot of money to be made by taking women seriously, and letting them know you're taking them seriously.
It's my experience that very few writers, young or old, are really seeking advice when they give out their work to be read. They want support; they want someone to say, "Good job."
Usually, when you're talking about work with other writers it's because something seriously bad is going on with your work and you've absolutely thrown out a lifeline and you're hoping that someone will help you with something. Either there's some bad feeling you have about the work, or sometimes it's not specific - just kind of solidarity.
I'm so blessed to be able to work with some of the best writers out there, and it's kind of like college with me sitting in a room with some of the best of the best and really taking it in and learning from them, but then also taking time to sit and tell them my stories - it's one of the biggest blessings that could have ever happened.
The one important thing I have learned over the years is the difference between taking one's work seriously and taking one's self seriously. The first is imperative and the second is disastrous.
I feel as if I'm clearly part of a trend among writers who take themselves seriously - and I confess to taking myself as seriously as the next writer.
I read continually and don't understand writers who say they don't read while working on a book. For a start, a book takes me about two years to write, so there's no way I am depriving myself of reading during that time. Another thing is that reading other writers is continually inspiring - reading great writers reminds you how hard you have to work.
The Lampoon was definitely quite formative. You know there's a crazy like kind of network of comedy writers from The Lampoon that are, that kind of you know like Seinfeld and The Simpsons and a lot of shows kind of had a lot of kind of Lampoon writers and so that was very formative. I mean, to me I got interested in comedy writing at an early like reading like Dave Barry.
Our reputations precedes us. If I know someone is not nice, not kind, an asshole - I generally don't want to work with them.
I’m so revolted by writers taking themselves seriously that, as a kind of protest, I’ve deprioritized the role of writing in my life. I do it when I’ve not got anything better to do – and even then I often do nothing instead.
The thing about literature is that, yes, there are kind of tides of fashion, you know; people come in and out of fashion; writers who are very celebrated fall into, you know, people you know stop reading them, and then it comes back again.
Christian theology provides some of the best arguments for respecting animal life and for taking seriously animals as partners with us within God's creation. It may be ironical that this tradition, once thought of as the bastion of human moral exclusivity, should now be seen as the seed-bed for a creative understanding of animal liberation.
I know a lot of crime writers feel very underrated, like they're not taken seriously, and they want to be just thought of as writers rather than ghettoised as crime writers, but I love being thought of firmly as a crime writer.
I seem to have three categories of readers. The first is nonbelievers who are glad that I am reading the Bible so they don't have to bother. The second group, which is quite large, is very Biblically literate Jews. And the third, which is also very large, is Christians, most of them evangelical. The evangelical readers and the Jewish readers have generally been very encouraging, because they appreciate someone taking the book they love so seriously, and actually reading it and grappling with it.
Being goal-oriented instead of self-oriented is crucial. I know so many people who want to be writers. But let me tell you, they really don't want to be writers. They want to have been writers. They wish they had a book in print. They don't want to go through the work of getting the damn book out. There is a huge difference.
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