A Quote by Felicia Day

I was just confused about why I was feeling overwhelmed all the time and trying to adjust to having people work for me. Surprisingly, I think if you're known on the Internet, you're probably an introvert.
Surprisingly, I think if you're known on the Internet, you're probably an introvert.
I don't think I had any idea at the time how to work with someone as masterful as he is. And I don't think at the time I really understood what was happening. I think I was in a space where I was like: there are all these things. I was shooting all these takes with David, and I was just confused, as a person, and as an actor feeling a little too big for my britches and that this thing was happening and then also not having enough skill yet, and technique to know exactly where I was, and know about the character.
Often confused with shyness, introversion does not imply social reticence or discomfort. Rather than being averse to social engagement, introverts become overwhelmed by too much of it, which explains why the introvert is ready to leave a party after an hour and the extravert gains steam as the night goes on.
I'm really an inner spirit that only makes itself known through the music. A lot of people think I'm an introvert, or quiet and moody. I've even heard some people say that there's a certain mystery or darkness about me. I'm not that way. I'm just really into what I do.
You need to be able to hit, kick, grapple, wrestle, but for me so much of this is about the mind, about feeling you are in complete control of the space around you, and you know what to do at any moment. That is a wonderful feeling, but it doesn't just happen, you have to work for it, train for it, think about it all the time.
Bands now are always trying to make their presence known through social networking and whatnot, but that's just the same as bands before the Internet age trying to connect with fans in some other way. But I don't follow people on Facebook, I think that's creepy. I wouldn't want them following me on Facebook. I don't even have a mailing list.
I think most writers can't really think about their work without a kind of revulsion. And I think that's probably why we keep going back and trying again, trying to do better each time.
If nothing has helped you decide, go ask a child. Children know what they need, and more surprisingly, the know what we need. Adults think. Kids respond with their feelings. They don't think about what you will think of their answer, so they just speak the truth-if you can get to them before junior high school age. At that time, they grow up, stop feeling loved, become depressed and start thinking-and what they are thinking about worries me.
In London I'm out and about all the time. I walk everywhere, so people do recognise me and they've probably seen me before so they're not bothered anymore. But I think that's a good thing because if you try and remain mysterious people are surprised when they see you. With me, I think they're just bored of seeing me - but that suits me just fine because I like to live as much of a normal life as I can. That's why I love living in London. People are very respectful of your privacy. If they see you having a coffee in a coffee shop, they're not going to interrupt you.
It's important to take time away from the Internet as much as possible. For me, I love working out, and my husband and I do it together in the mornings! And it's really our time to check in with each other, but it's also our time to really not think about work or what's happening on the Internet.
I think people are very cynical with actors trying to tell them what to believe in, or lobbying for any kind of changing of government policy. Even I get cynical about it. Like, Why is Sharon Stone telling me this? And there's just something annoying about having Charlie Sheen tell me, "It's your responsibility to vote," in an admonishing way on MTV.
Work begets work. Just work. If you work, people will find out about you and want to work with you if you're good. So work anywhere you can. That's why I've changed my mind about these theatres where people work for free or have to pay money. I think it's kind of terrible that they feel they have to, but you know what? They're working.
In a way, I see my fiction as having moved in that direction - and the characters as dealing simultaneously with their personal history and with the present in which they are trying to make their way. So that the books are simultaneously about public and interior events. And I am having a great time getting confused and crazed writing about them.
I think when people try to use their art for political views, I think they're art becomes smaller, less interesting. And so for me, as an artist, I'm trying to speak about things in a universal way and not be pedantic or small-minded and try to convince other people of my political views. But having said that, every day I live in sort of complete terror because of what I read in the newspaper and what is going on in the world. I'm constantly, as I think many of us are, overwhelmed by the sort of, mass psychosis that's occurring.
Right now, women's worth is being quantified by how they look and their Instagrams and likes. That's all so self-created, so why are we trying to add to that? It's hard enough to be a young woman, or man, growing up and trying to find your identity, rather than having a whole Internet of people weighing in on it. It makes me sad for those kids.
I've talked about tall poppy syndrome when I see people. I used to be like, 'Why am I feeling this way? What is that person taking from me that makes me feel inadequate?' That same feeling you feel when you feel uncomfortable because people start talking about racism, lean into that feeling, don't just look away from it, because you can't pretend.
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