A Quote by Felicia Day

I've read every single fantasy novel there is. I mean, I would challenge a lot of people to read more fantasy novels than I have. — © Felicia Day
I've read every single fantasy novel there is. I mean, I would challenge a lot of people to read more fantasy novels than I have.
People read vampire novels and say, 'Oh I want to read another vampire novel.' People read fantasy, and they're like, 'Oh I love fantasy.' I don't know that people are necessarily finishing 'Hunger Games' and immediately wanting to read another dystopian tale.
People read vampire novels and say, Oh I want to read another vampire novel. People read fantasy, and theyre like, Oh I love fantasy. I dont know that people are necessarily finishing Hunger Games and immediately wanting to read another dystopian tale.
If you are going to write, say, fantasy - stop reading fantasy. You've already read too much. Read other things; read westerns, read history, read anything that seems interesting, because if you only read fantasy and then you start to write fantasy, all you're going to do is recycle the same old stuff and move it around a bit.
I've read fantasy my whole life. Quite literally; my mom read me The Hobbit before I could read stuff to myself. So I love fantasy; that's what I read for fun, it's what I read professionally to keep abreast of what's in the genre - it's where my heart is.
A lot of people have read the Mira Grant books who are not urban fantasy readers, and they would never have picked up a book with an urban fantasist's name on the cover, but then they go on to read my urban fantasy and like it.
There has been a lot of bad fantasy in the past - I'm by no means saying that all classic fantasy out there is bad - but there has been a lot of bad fantasy written by people who read a lot of fantasy and so all they keep doing is recycling it.
I really wish that peoplewould just say, 'Yes, it's a comic. Yes, this is fantasy. Yes, this is Science Fiction,' and defend the genre instead of saying, 'Horror is a bit passe so this is Dark Fantasy,' and that' s playing someone else's game. So that's why I say I'm a fantasy writer and to hell with 'It doesn't read like what I think of as a fantasy'. In that case what you think of as a fantasy is not a fantasy. Or there is more to it than you think.
My own novel, 'The Silver Bough,' about the inhabitants of a remote town at risk of being overwhelmed by Scotland's mythological past, was once criticised by a disgruntled fan as 'fantasy for people who don't read fantasy.'
We have more brilliant fantasy novels than brilliant fantasy movies. Movies and TV are done by committee. But with a novel, it's really just one person running the show. That allows for a clarity and unity of vision that's pretty unique, artistically.
I've read everything that Isaac Asimov ever wrote, for a start. I'm massively into my fantasy genre, anything by R.A. Salvatore or David Gemmell. I've read every single book those writers have written.
I read a lot of fantasy as a kid. I read 'The Hobbit' and all of the 'Lord of the Rings' books, but I also read a lot of realism like 'The Outsiders.'
To read a novel requires a certain kind of concentration, focus, devotion to the reading. If you read a novel in more than two weeks, you don't read the novel really.
To read a novel requires a certain amount of concentration, focus, devotion to the reading. If you read a novel in more than two weeks, you don't read the novel, really.
Most fantasy is incredibly derivative of Tolkien, so when you read a lot of fantasy, it's really just elves and gnomes, and it all goes back to Tolkien.
The way I felt growing up, which was like an outcast - I was weird, I was a nerd, I read fantasy books - I think a lot of fantasy book readers and a lot of readers and writers in general have that experience of isolation.
Current cant equates fantasy with escapism, and current fashion would have it that fantasy is both easy to read and to write. It isn't. When it is done honestly, by a skillful writer, fantasy takes us far enough beyond our daily perceptions to open us to the essential realities beneath it. This is the true goal of all art.
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