A Quote by Felicia Day
I guess I just always had this idea that I would go to Hollywood. I had the typical 'get up and go' attitude that you have to have in order to make the brave step into the big city.
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I worked in the warehouse, and I would pick up orders. I would go to the computer screen, print off the order from a customer and then it would have where all the stuff was located in the warehouse. I'd go get a big gray cart, and you had to fill up these bins with all the parts. And it wasn't air-conditioned in there.
I had a friend in high school who badly wanted to make movies and would recruit me as an actor. It was always so much fun. I decided, I'm going to go to Hollywood and make movies, which is a thought I'd never had before.
I was supposed to go to drama school and then go to New York and do theatre. But I grew up on all those fabulous movies and had read all the bold Hollywood books, and I thought I just had to take a look.
I wish I had a typical workday. I struggle to get up at seven and almost always fail. I just try to get to my office as soon as I can, but it's always later than I would like.
I had a dream of music and art and the big city in which I would get lost, where no one would know me and I wouldn't know anyone, where I would work at some ordinary job, and if one day I got up in the morning and decided I wasn't going to go to work anymore, no one would ask questions.
This is a terrible confession to make, but after I left the Army I had a number of things to try. I had a great conceit to think that if all else failed I could always go to Hollywood. So when all else did fail I really went to Hollywood. And then I found out how wrong I was.
I used to be brave. In the past, I've opened a restaurant, had a record label, had my daughter and it was go, go, go with all of these.
I was trying to be 27 at age 47, but God had to get rid of my vanity. I had trouble letting go of the old Lex physically. My human fleshly nature didn't want to let go of what had come to be billed as 'The Total Package.' I guess God had to help me get rid of the last remnant of that vanity and pride.
My experiences growing up - my father lived in New York, so I was going out there in the summers and meeting really interesting people and people having what seemed to me to be extraordinary experiences and really taking advantage of these wonderful opportunities. And so I will go - I would go to the big city and watch these people performing onstage and doing television and films. And then I would go back to Hayward, and it just suddenly felt that much smaller and sort of limiting because I had this hyper awareness of how much larger the world was.
I had kind of an attitude, which was not uncommon in New York. Theater people who went to Hollywood to do sitcoms were selling out. That was the attitude. And I didn't really relish the idea of being cast in a sitcom, because I shared that attitude.
You can't find an uglier urban environment than the centre of Hollywood, but then you go to Griffith Park, you go to the beach, you go to the mountains, and it's rural. I live up in the Hollywood Hills and I have frogs, owls, coyotes, mountain lions - but I'm ten minutes from the centre of the city.
I usually get so warned when I go to Detroit, like, 'Oh my God, don't go to this section, don't go to that section.' I've never had any issues in Detroit. I love that there's enough of a racial mix of people to make fun of. I've always had a good time there.
There's always the challenge of trying to do a road trip picture with a big group of cast and crew, because it's just not efficient to go to every single place in the order that they would go.
There's no love in my songs. There's just a lot of resentment. Just bad attitude. But that's intentional, that's what I like. I love the whole idea of Motown. Their idea was to sing how down on their luck they were, but the song implied hope that it would get better. I liked that idea, and I wanted to go even further with it.
I grew up in an area that was the typical city that was a racially divided and economically segregated place. And it had a big influence on me.
When I went around promoting 'Crumb,' there would be days I'd wake up in, like, Houston or Cleveland, and I'd step outside the hotel and get no idea where I was. It all looks the same: one big corporate, consumer theme park. It's all, 'Here's the Starbucks, and here's the Gap, and we'll go over to Banana Republic and the Cineplex.'
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