A Quote by Felicity Jones
"The Invisible Woman" was about trying to show this conflict in [Nelly Ternan] woman truthfully, between her own identity, but also being in love with someone who I think made very high demands from her.
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The hijab or a variation of the word shows up eight times in the Quran. And it never means headscarf. And so what's happened is that the identity of a Muslim woman especially is being equated to this piece of cloth on her head. And in that ideology there's a very fundamental assumption that people need to think very deeply about, which is do you believe that a woman is too sexy for her hair?
And of course, FDR was very charming. At 6'2", he was tall enough to be her beau, and they made a beautiful couple. And she could encourage him. His mother also encouraged him. So this notion of a woman with ideas of her own and a spirit of her own and a style of her own was very congenial to Franklin. And he loved her. And their romance was a very dear and true and deep romance.
Romantic love, in pornography as in life, is the mythic celebration of female negation. For a woman, love is defined as her willingness to submit to her own annihilation.... The proof of love is that she is willing to be destroyed by the one whom she loves, for his sake. For the woman, love is always self-sacrifice, the sacrifice of identity, will, and bodily integrity, in order to fulfill and redeem the masculinity of her lover.
I think Nelly [Ternan] actually has something very conservative about her, and she's very judgmental of (this other character's) situation, and can see that's about to happen to herself. So she judges it even more harshly [because] it's what she fears becoming.
While the secular world pushes woman to find her identity in herself as a sex object, the popular teachings in the Church, equally mistaken, encourage woman to find her identity in her roles as wife and mother rather than in her status as a person in Christ, a daughter complete in Him.
I believe that a woman should always remain a woman and nothing feminine should be alien to her. At the same time, I strongly feel that no work done by a woman in the field of science or culture or whatever, however vigorous or demanding, can enter into conflict with her ancient 'wonderful mission' -- to love, to be loved -- and with her craving for the bliss of motherhood.
The bourgeois woman not only demands her own bread, but she also requests spiritual nourishment and wants to develop her individuality.
Maybe a young woman will go see a show by a woman, or starring a woman about women's issues, and that will help her get to that quiet place inside of herself where she can then explore what it means to be a woman to her.
Current conflicts and guilt about being a woman who is a mother and a person in her own right are a socially defined malaise, notan individual problem.... The conflict is not between being a mother and having a career; it is between nineteenth-century ideas about children and today's ideas about women.
A Western woman is not her brother's or her father's property. She's just herself. She can choose her own lifestyle. But in a Muslim family, the honor of the man is between the legs of a woman.
Feminism has nothing at all to do with being 'feminine.' Feminine means accentuating the womanly attributes that make women deliciously different from men. The feminine woman enjoys her right to be a woman. She has a positive outlook on life. She knows she is a person with her own identity and that she can seek fulfillment in the career of her choice, including that of traditional wife and mother.
It was a good script [Something New]. We have not seen an interracial issue dealt with from a black woman and white man's perspective in this way. And, usually, it's a black man, white woman. I loved the fact that it wasn't about the couple being against the world or the couple against the family. I loved the fact that it was her dealing with her own prejudices that came up, her own guilt, her own shame and embarrassment about what her peers thought.
She moved from being a young woman into having the angular look of a queen, someone who has made her face with her desire to be a certain kind of person. He still likes that about her. Her smartness, the fact that she did not inherit that look or that beauty, but it was something searched for and that it will always reflect a present stage of her character.
There's a greater power and charisma when a woman is aware of her sexual prowess when it's not necessarily about victimization or someone else's pleasure but her own feeling about her own body and understanding and loving herself.
Where there is a woman there is magic. If there is a moon falling from her mouth, she is a woman who knows her magic, who can share or not share her powers. A woman with a moon falling from her mouth, roses between her legs and tiaras of Spanish moss, this woman is a consort of the spirits.
We think of a feminist as someone a woman becomes in reaction to personal indignities and social injustices. But the truth is, such inequities only awaken her to the feminist she has always fundamentally been - that is, a person who understands that her first responsibility is to her own humanity. That's why, for my money, the first known use of the word 'feminist' is still the best, appearing in an 1895 book review: a woman who 'has in her the capacity of fighting her way back to independence.
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